UAD Studio Edition
Customer Reviews
UAD Studio Edition
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J. Roecker
Smashing!
Great tones and dirt come out of this plugin with ease!
P. Farah
Great Addition
Great addition to my arsenal.
s. bobal
Perfekt
Bez komentara absolutna špička medzi plaginmi
r. passuti
master of compression!!!!
if you know the original hardware, you can understanding what I mean!
D. Jeter
Classic sound!
Nice unit, only tried it once, perhaps it's a five star but I need to use it a few more times so because of this it's 4 stars.
S. Smith
Sweeten anything with a great analog channel
Great, clean interface on a beautiful classic sound palette. What's not to like?! Does what it says on the tin with panache, and that's worth the price of admission, IMHO.
C. Park
My Favorite Reverb
This is the best reverb that i using it.
So incredible!!
M. Rojas
Maravilloso
Se siente la "orgánico del pedal", usado en guitarras directodesde la consola UA
T. Qumok
Swiss army knife of comps
After demo'ing it and reading many reviews I finally bought it. It's a great investment.
I produce my own music, which is metal, and the distressor is used everywhere. It's the only compressor I like on my vocals.
D. Wynn
Awesome
Absolutely awesome. It really adds character to a sound. I put it on every single track as the first chain of plugins and drive it a little into the red. I think you should definitely consider this plugin if you want to add a little more character and body to a track.
P. Daly
Mmmm.... butter
Butter those bass lines into submission
f. frilli
Pretty cool
Cool plug in, sounds nice but not enough to get 5 stars.
C. Davis
I love it
Very simple and easy to use, there’s a certain warmth about it that makes vocals sound great for me and also great on drums especially the snare drum. A great choice for overall use on anything you choose to use it on, very good unit.
C. Castro
The only reverb I use.
Very intuitive and amazing sound. You can slap it on your channel strip, while monitoring ,tweak the low cut, maybe take some bass, and bam! Ready to record.
P. Pendlebury
Immediate Goto
Drums / Bass buss glue on every project from now on. Fantastic.
.
Add that Magic Dust!
Up until the point of trialling the Pultec Collection, I had always preferred using Graphical EQs so I could see what was going on. The big mistake, of course, in using these type of EQs is the tendency to rely too much on what you see rather than what you hear. Being all knobs and switches, the Pultec took me back to using my ears and, boy oh boy! As good as the EQs were that I was using, I instantly knew I couldn't achieve the kind of results from them that I was getting from this collection. Absolutely delicious on Acoustic Guitar and Bass especially when combined with the 1176 Classic Limiter Collection.
N. Jeremic
Makes software synths shine!!!
If you are working with virtual synths, either analogue emulations or digital, you want this in your arsenal. Pads and drones just sound huge when processed with LA3A.
E. Anton
The lushest reverb you'll find.
It's hard to overstate just how good this is. The Lexicon 224 is lush, but has a warmth to it that gives virtually anything clarity and feel. The first thing I applied this to was a Roland D-50 and it immediately hit a sweet spot. Of all the plugins I've bought; this is definitely one of the best and certainly the best reverb I own.
C. Jaeggi
And then she smiled...a little cheeky ; )
J.Korhonen's review said it best.
I agree with T.Hansen also. Vocals are amazing here too! : )
Who said you can't buy love? Ahh, the Beatles...hmm, but what did/do they really know anyway? : / LOL
A little pissed off too actually. I don't want the whole world to become digital. But...dang...THANK YOU! UA team is the best, they just are.
Lotsa luv from me to you : )
Ok, next song
P. Uszyński
My new go-to comp
For quite some time I had a feeling that I'm missing a really good comp in my mixing chain. Previously I was using Waves H-comp ("character" compression) and C1 ("transparent" compression), then I started demoing some comps from UA. Distressor is the one that made my things (mainly vocals) really shine. You can make it characterful, you can make it transparent and gentle, in case anything is missing, you can always go to something else, like 1176 or LA-2A.
And yes, I'm a UAD acolyte, the only non-UAD things in my mixing chain for now are FabFilter Q-3 and iZotope RX tools, because UAD simply beats everything I tried.