UAD Studio Edition
Customer Reviews
UAD Studio Edition
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P. Jorge
simple and fast learning
Surely it misses what MKII versions now can do, making the sound creamier, but just for compression you got the job done fast with simple operation; you learn quickly how to work with it and it's low DSP usage make you use it a lot across your projects..
M. Malinski
Fairchild Tube Limiter
So I do not know how it sounds original Fairchild, but I need to have trust to the experts
I have no doubt that it adds something to the sound, highlights and makes it more readable in the mix.
What do I want to know before purchasing the product?
More videos compared with the original equipment.
For me works fantastic when I put it on the last insert on my tracks
V. Andreev
I like, as this works.
Very worthy emulation. Helps to dispose of ensemble analog instrument, under ditto result, from big amount of the switchings, which costs much. Else if the price will be more reasonable, I think, UAD best on quality of the result.
R. Elliott
Incredible Hulk
I find it hard to not use this plugin. I love to use the attenuation while boosting to really focus in on the frequency. The high end attenuation helps warm up a overly bright mix as well. At the same time, the high end doesn't seem to be harsh like other EQ's.
J. Couch
Just very very good
I bought some other name bus compressors and thought they sounded great, but this is just better!!!
Y. Kawahara
Fairchild Tube Limiter Collection Plug-In
New Fairchild Tube Limiter Collection Plug-In is nice , I like.
W. Washington
The Freakin Fairchild Tube Limiter Collection
I've never had the pleasure of working with a real 660/670, but I have heard about it's awesome-ness. I've owed the UA's legacy Fairchild since they first offered it. It's a very nice plug but I really didn't hear what all the hype was about. Honestly, I rarely used it. Then I demoed the new Fairchild tube limiter collection...
I now have a set of first go to compressors!
This thing is unreal! I love the tonality that UA has captured. On some tracks I just use it for it's coloring. The HR and the BAL knobs alone allow me to aurally paint and sculp the sound stage.
Words that describe love usually fall short of actually portraying what one actually feels.
With that all I can say is that I love thing!
R. Sheridan
amazing!
i was skeptical at first as how different can the versions really be from the legacy version???
i was wrong they all have a different sound and all sound great!!!
will definitely be upgrading my other legacy versions to the new ones if they all sound as good as these
J. Bell
musician,songwriter,engineer
the LA-2A is a must have piece....you can even track with it for those who don't know this its so go I'm getting the1176 Classic Limiter Plug-In Collection as well.....THANKS Universal for making it happen for all of us
J. Milldrum
Truly amazing!!
These just make everything sound good. A definite must have for sure.
T. Van
hello from Belgium eu
I follow engineers and producers on promo films in studio's all over the world.
Mostly you can found these LA-2A in their huge racks.
Well I had the first version and now I bought the new ones of these UA plug-inns.
And yes these are even better.(especially the Gray) On my tracks and on my master stereo out, I can't imagine without!
Only, UA said: owners of the 1st version will get price reduction,not so for me,maybe because the price was already lowered? But don't tell then.
see you www.toyofficial.be
T. Seike
音質はいいです
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T. Seike
必須アイテムです
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192kHz?????????????
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F. Henderson
OOOOhhh Goody!
I put this on every kick drum, bass, and vocal now. Sooooo happy with the sound.
F. Henderson
Tracking Sweet Vocals
Using Fairchild Tube Limiter Collection with my Apollo to track vocals was awesome. I saved thousands on my front end by tracking through the plug-in. Sounds amazing
S. Suarez
very nice
love it, i use from last month in all of my productions, definitely its a very nice plugin for me
C. Chastain
Fantastic for color!
I've only had the pleasure of using the hardware Fairchild 670 once - at Abbey Road 2 - so my reference is limited. But over the last couple weeks I've found myself inserting the 660 and 670 on almost everything while tracking with the Apollo. Many times I'm simply running signals thru it for a bit of color, other times I'm going for no more than 1-2 dB of gain reduction. I honestly have no clue how "authentic" these plugs are - but who cares? I love them for the sonics they provide and the depth of color they afford me.
T. Cosentino
finally
Not to violate any confidentiality agreement between me and Apple corp, I believe my audio drop out problem (re: my last post) is finally solved so.....I will give this plug a hearty 5 stars!
T. Cosentino
I loved it when I heard it working for about a minute
Whether it's the fault of Apple computers or UA , the bottom line is that my brand new iMac doesn't work with my Apollo Quad. A problem that has now for me been over a month with no solution as of yet. So.........I'll review this software and the interface when some party can get around a fix. I am not the only one who has been inconvenienced both financially and time wise by this issue and the fact that, to this day UA states on it's site that this unit is supported by the 2013 iMacs makes them responsible to a great degree.
D. Tartar
Transparent
I will go to this compressor if I really need to dig into something to obtain substantial and uncolored signal management. Since it's attack and release times are non-adjustable it's either going to work really well or it's not depending upon the tempo of the program material unless you pair it with another compressor like the 1176 to catch the super fast transients if needed. It's pro's are it's simplicity to setup and it's tidy throughput. You can get massive signal management out of the LA-3A with very little setup. It's release time is substantially faster than the LA-2A which makes this unit more flexible in my opinion. A youthful LA-2A... clean, tidy and agile.