UAD Studio Edition
Customer Reviews
UAD Studio Edition
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W. Lewis
review
I am unable to use any of the many many UA plug-ins since I have updated to 7.4.1, as I get -38 and -50 errors repeatedly.
If I cannot get this resolved, I will be forced to use competitor products, which are not my first choice. Very frustrated.
Wes Lewis
D. Van
Silver shining grit
Bought the LA-2A Leveler Collection. Wow, awesome sound.
L. Karlsson
Killer EQ
Three great filters, but it should exist as a rack as well, likte the picture.
J. Carmo
Best Emulation ever made...
The legacy series are ok , but the new 1176 series are the Best Emulations
in the market. The first time i run these new plugs, i fall in love...really smooth
and Punchy. If you want better, just the original hardware !!! Thanks UAD team...
J. Piotrowski
Great plugin
Thank You for this awesome plugin! I use it for vocals, drums and it is absolutely fantastic!
S. Schmidt
Not just another compressor.
Wow! Currently I am working on some 60s style Rock tracks and this plugin came just at the right moment for the work ... sounds like true tube compression and circuitry, (FINALLY!) has a mix button for parallel compression and a very interesting and usable MS-mode.
S. Ghadaban
New Pultec EQ Collection
UAD enhanced this older plugin again like the LA-2As and 1176 collection. Sounds awsome for me!
But...now it contains one disadvantge compared to the older plugin before:
The first version is having the Mid-Band visible on one plug, this one you have to navigate between the two; three if you want to include the LP/HP. It'd be nice to have the option to have them all visible in one instance. I need now 3 insert slots in one channel to work with this plugin and the switching between the 3 slots is annoying.
Please offer us a version that contains all 2 or 3 eqs in one plugin like before.
G. Piazza
My new desert Island compressor
Finally, a UAD comp with a wet/dry knob! But so much more than that. The sound, the variety between the 660 & 670, the excellent saturation, variable knee, M/S and the ability to dial in the amount you want (wet/dry) makes this incredibly versatile - a rich tonal palette for everything but absolute transparency. But in a digital world, transparency is often the problem - and here is an A+ solution!
This and the API stuff shows a stepped up game from UAD - still the king!
G. Piazza
Good but very 'solid state' sounding
I avoided this one for a long time, feeling that I can get similar results with the Voxengo Crunchessor or Sonnox Dynamics. Both are warmer; the dbx has a thin 'solid-state' sound, much like the old 166 I have.
Still, that is a unique palette, so I finally got it on sale.
Nice transient pop and good for parallel compression.
If you are trying to decide between it and the API Vision, the API is the hands down winner (the Neve is also great). If you have the scratch and love the dbx sound, get it.
I never set the ratio higher than 2.5:1.
D. Favuzza
Fairchild collection
Yess...!
I use it on channel, group and bus..!
I love the combo with harrison Eq!!
Giusto
www.soundcloud.com/giustomusic
M. De
teletronix la-2a
I' m very happy with my teletronix
collection! The uad la-2a is the best comp-limiter
In my daw. I use it on vocals guitars
And strings and i have no problem with the
mix .
thank you uad!
M. Bramley
UA does it again!
I remember this little compressor from the good old days! I have used the hardware unit many times on vocals,bass and sometimes on drums.
Again, what makes these units classic is it produces a different sound that just sounds 'right' like it was always meant to be!
and the sound? Unmistakably transistor but smooth all the way. The top end is silky smooth even when driven hard, but it also does something to the bass…..if you have a Fender Precision bass and you've put a BADAS bridge on….then you have to have this compressor! It will make the sustain go on forever whilst extending the low end but keeping all the character of the original sound.
This is definitely not another box with knobs on! Buy it now!
C. Waiters
LA-3A Baby!!!
It's an very good Plug-in! The Best Version of a Plug-In that is truly accurate of the Hardware. I will use this Plug-In a lot. The Natural sound that the LA-3A brings to the mix is well worth the money.
C. Kazmier
Had to have this one!
Demoed it and was sold. My Go-to on acoustic, piano, BG vocals. Wasn't very interested in the UAD-1 version but they got something special in this one.
H. Bhangal
Underrated gem!
About as simple as you can get to use. Results are spot on, even when pushed to its limits!
I'm using it quite a bit to provide some subgroup "glue", so easy to use and the results are sublime.
W. Montana
cutting compression
I've been getting great results using it before an LA-2A on snare drum to really make the tone cut through with a natural tone. It tends to be some what aggressive which I like.
It's a great compliment to the LA-2A and 1176.
It also sounds great on guitar. Changes the tone a little bit. sometimes it works and sometimes not, depending on the track. A great tool that does a great job on some sounds. It has a unique vibe that has been getting used on every mix since I got it.
F. Alexandre
Amazing compressor!!!
It is impossible imagine an acoustic guitar on a pop/rock song without this plugin (or an outboard LA3-A). Looking for that round and present acoustic guitar sound on your mixes? This is the guy to compress. Also great in vocals and electric guitars.
M. Vaz
LA-2A Collection
Just loved the new LA-2A Collection. Lots of different flavours of the Classic LA-2A. Used the old one in every mix and now even the old mixes sound better!
M. Panagaris
Upgrade
Definitely worth the upgrade from the original and having 3 models to choose from is an added bonus.
B. Frei
The dbx 160 Compressor/Limiter is a emulation of the dbx 160 Compressor/Limiter
The dbx 160 Compressor/Limiter is a fully licensed and faithful emulation of the legendary dbx 160 hardware compressor/limiter — still widely considered the best VCA compressor ever made. “VU” is the common nickname for this highly regarded studio staple, famous for its simple control set and firm, distinct compression characteristics. The dbx 160 also has unique nonlinearities not found in other VCA compressors, giving it a sonic distinction from later models. The dbx-endorsed UAD Powered Plug-In version of the VCA VU captures all of the sonic nuances from our “golden” modeling unit, plus the simple control set of the original hardware.