UAD Signature Edition
Customer Reviews
UAD Signature Edition
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E. Mejia
This is amazing Plugin
Can't say enough good things about this plugin it goes to work for you and provided with that it reverb. My go to plugin for reverb from now on.
L. Schlegel
Fat sounds!
I've been printing this down with the UAD Console. Gives absolutely everything I put it on just the right amount saturation. Beautiful!
M. Bramley
Universal Audio rocks!
If you had to pick one compressor which gives you maximum gain,ultra fast attach & release,enhances anything it touches with an outstanding sound which doesn't take away the character of the original sound & is dead easy to use….this would be it!
The LA-3A…the sound of an LA-2A & 1176 in an easy to use box!
If I could only have the one compressor…this would be it.
Thankfully due to UA's unbelievable armory of classic compressors we are not confined to one, or two great compressors amongst other 'good' ones…like the old days.
Like others's have said…if you have the 1176,LA-2A..you have to add this,no question!
Mark, London.
G. Cole
Excellent emulation!
I never thought plugins could come this close to the real thing. I own most of the UAD library and have liked most everything so far, but the updated versions of the Pultecs, LA2As and 1176s are superb. And the new Fairchild...sublime. A combo of the 660 followed by a Pultec EQP-1A on a well recorded vocal is just awesome. I hate to use words like 'warm' and '3 dimensional' and 'silky', but they all apply here. Each of these plugins feels and sounds like its hardware counterpart. These are the first plugins I've used that 'feel' right, like I'm using the real thing. I can almost smell them. Thanks, Universal Audio, for continuing to improve upon your already great plugins as technology advances.
D. Lynch
OOOOhhhh I'm in mix heaven !!!
Maaaan !!! I thought it had it all until I demo'd the API Vision Channel Strip. First thing I noticed is the color and flexibility and mostly the productivity. That EQ is my way of thinking. It gives you a professional quality sound in an intuitive format that just allows the user to get on with it and really enjoy the creative side of mixing. I love everything about this Plug from the input gain to the dynamics sections and hi and lo filters.
I automatically recognized this Strip as being "MY" sound and it has now become the basis of every mix. OOOOhhhh I'm in mix heaven !!!
Cheers UA, awesome job
Producer Diamond Dave, Diamond Recordings Australia.
www.diamondrecordings.com.au
J. Kieffer
THE "go-to" 1176's
As a first time UA user, I tried out the 1176 Legacy that came with my Satellite custom bundle and was disappointed as it couldn't even come close to my CLA76 blue stripe. I was about to move on to other 1176's from other companies when I noticed UA had this updated collection. WOW!!! A/B'd them to the CLA76's and T-racks and this bundle blew them away. More musical, more options, and each has it's own unique character that works in different applications. For those who swear by CLA's, try these out. They'll become your first option!
R. Fiorentino
Nicest verb for your mix
A lot of reverbs seem to be stuck in the background, and sometimes you want that. A lot get lost in hectic songs, or have a poor sound or an overwhelming sound when you try to get them to cut into the mix. My first reaction to the 224 plugin was "okay it doesn't really sound like the real one but my does it work. This plugin can cut through a mix and make the reverb a part of the journey more than many others. It can also sit in the background if you want and stay out of the way. It is really a dream come true for my reverb arsenal.
R. Fiorentino
Every second is a pleasure.
This plugin takes the beautiful character and functionality of the best API modules and emulates them like nothing I've ever experienced. Definitely the real thing, definitely a buy.
N. Hollis
A new go too
I always liked the legacy version of the Fairchild but this goes much further,it is a joy to use and since buying it the comps ive only ones ive used are these and the Blue face ones,ive even stopped using my out board rack 1176.
Spot On
D. Palmer
Just like the real thing
The guys at UA have really pulled it off this time...
I've worked a lot with original Fairchild 760 compressors and this just has to be the nearest thing I've ever heard to an actual 760... It's warm and discreet, versatile and packed full of those features we all wish that the real Fairchild had... And you can have loads of them at the same time!!... It's hard not to use it on everything!!...
Brilliant!!!...
G. Noteris
The best Pultec plugin
Couldn't pass one this one as i realy love the Pultec style EQ.
This version clearly is an improvement over the Legacy version and the new filters are a nice addition to the collection.
Surely the first EQ to get after a basic parametric.
H. Chahil
Perfect for tube warmth for tracks
If u want to add some tube warmth to your tracks then this plugin does really well.
Just run the signal through it for the Fairchild vibe
N. Mendez
Secret weapon for Percussion...
The Best Tool and compressor For tight Punchy Kicks and Snares....Convincing my7 friends to get it...I tell you it is a killer Plug in,add the cambridge eq then the dbx 160 and you will get awsome results....
N. Mendez
Secret weapon for Percussion...
The Best Tool and compressor For tight Punchy Kicks and Snares....Convincing my7 friends to get it...I tell you it is a killer Plug in,add the cambridge eq then the dbx 160 and you will get awsome results....
C. Allrich
If Only We Had a "Lite" Version!
I'd rate this 5 stars if I could use more than a few instances of it. Everything you want from a Manley, but it will suck the DSP life right out of you.
You gave us a "Mastering" addition, why not a "Lite" addition next?
C. Allrich
The Only One I'll Use.
We've been trying to capture a Fairchild for the digital domain for years now, and honestly, no one's ever really nailed it for me. I've tried to love it (in Waves, IK for example.) However it just left me going "meh". Nothing exciting, why bother? I'll reach for something else.
Then I was finally talked into making the UAD jump by a co-producer, and eventually made my way to demo the original Fairchild on UAD, still wasn't terribly impressed. It was good, but not quite there yet for me...
When I saw that a revision was in, and gave it a demo, I was FINALLY hooked.
Really great job here! Both the 660 and 670 are quite impressive sonic beasts! Great update, a must grab for anyone while they are still on sale.
C. Allrich
Can't Be Beat.
Should be known, I've been a Waves user for YEARS, and had I known better I would have trashed their emulations of the 1176 for these a long while ago!
I can not stress enough the night and day difference in applying these 3 instead. There's none of that "make-believe" noise floor that Waves thinks we need in our mixes, and the clarity and punch is mind blowing.
I used to harp on UAD for being too expensive, needing their own DSP power, and now I can not live without my UAD arsenal. I've thrown the rest away, Waves, IK Nomad, there's no comparison.
B. Herle
Beautiful!
IMHO this is the most beautiful sounding plug-in I have ever used, bar none. Great job UAD! Simply can't wait to start tracking vocals, drum overheads, pianos, and other things through it with my Apollo! Breathtaking!
A. Motta
I'm still not believing
I mix the many, many years and never in my life seen anything as amazing as this plugin Fairchild. I thought it was not possible to do something like that, congratulations UAD!!!!
J. Russell
API Vision for Recording with Apollo
As an Apollo owner, I've looked at the record with FX button in the console several times and thought shall I commit or leave my options open. Most times I've chickened out and just monitored with FX, then I've found myself duplicating the setting of the plugins in Pro Tools.
I bought the API Vision plugin thinking this will be particularly great on drums and I was not disappointed.
I had a session a few days ago with a very talented drummer so I set up seven channels of input using Apollo. Kick, Snare Top, Snare bottom, Tom, Overhead left and right and a mono room mic.
It really does sound like you're recording through a console. We did two passes initially, with FX, and without FX to see what the difference was like. Record with FX won