UAD Signature Edition
Customer Reviews
UAD Signature Edition
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R. Matias
Essential for tracking
This collection is perfect pair for apollo. I record thru LA-2 and it's ready.
k. sivasankar
!176AE
After Demo'ing the 1176 collection , I knew I just had to have these .Brilliant !
D. Gray
SOOOOOOOOOOOO AMAZZZZZZINGGGGG!!!!!
I was blown away with EMT 140 and put off getting the Lexicon unit. While the 140 still gets a workout this is making its way into just about every mix!!! THIS IS AMAZING!!!!! You will not get this kind of sound and versatility ANYWHERE else!!!!!
A+ UA
J. Boyat
For the Drums
Very, very good on drum's track. Add depth and wide and sounds analog.
On clean guitar too, very beautiful analog sound.
A must have.
Et voilà ...
O. Gonzalo Mallén
Strongly recommended
Very happy with this plug in it can take your mix to the next level. I only use it in the mix track for mastering, Id like to use in buses too but, Its a Shame its high DSP consuming... I supose if you want quality you have to pay in any way...
A. Martin
Just like the real ones... inbox!
After opening an old session with the Massive passive, I've had the same feeling as working with the real beast! Amazingly satisfied
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1176 good
Grade compresser of my sound.
.
My channel
Grade channel!My drums sound are very nice.
J. Medina
Simplemente impresionante.
Soy usuario de la plataforma UAD desde casi el lanzamiento de las tarjetas UAD-1 y siempre estuve enganchado al plugin 1176. Con la nueva versión desde el primer momento quedé maravillado, no sólo con la similitud de reacción en la compresión respecto a las unidades originales, si no también con la adición de color tan típica de estas unidades. Yo a veces dejo los 1176 hardware en bypass tan sólo para que me añada en la señal el color típico de estas unidades. Ahora eso lo puedo hacer también en los plugins. Y encima con tres revisiones.
Simplemente impresionante.
.
WOW..
This is by far the best Mastering EQ i have seen so far !!! The High End sounds amazing...
J. Schmitz
Best and favorite plugin of all time
To me, a great sounding EQ is the most valuable tool a mix engineer has. And to have this kind of sound at your fingertips in a plugin form is really unbelievable. The same air and magic that you get from the real box, is right here. And that same excitement you get when using the real thing, is exactly what I feel every time I turn these knobs. UA is the greatest set of plugins, and this one wins in my book.
j. Dietzel
Completes my sounds!
I love this API channel. What it does to rock guitars is amazing. Between this and my UAD neve 1073, I have all the color while tracking that I want. Even the presets are are great for a starting point.
S. Smersh
My new "go to" EQ
For those of us that will never even in a million years be able to afford the hardware version of this plugin, it is so worth every penny. Freakishly transparent and clearer than Lasik. Another UA win here.
Still waiting on higher image resolutions for UAD plugins for those of us with 5K screens. But as long as they sound good I'll keep dealing with the blurriness.
И. Мазаев
A perfect Plugin to fall in love with the UAD
it doesn't only remind me the 'sound' of the Pultec. But the sounds remind like going through a Pultec. That's what a great emulation is all about! There are some plugins that just recreate the sonics of the unit. This one recreates what the unit does to the source. It has some pultec 'flavor' if you like, but not too much.
And what I personally love is that It's also very easy to know when you don't need it on an instrument (like with the analogue one), one second and you're like.. 'no, this sound needs something else in this mix!" so you're not over-using it. Very important.
B. Dyczkowski
So full of life!
`This compressor is incredible. when A/B'd with Waves CLA-3A, it just has so much more energy and harmonics to it. You can smash your vocals or guitars through it and it has a slight mid boost that lets them sit on top of the mix nicely. One of my favourites!
E. Haag
DBX 160
I've always used Waves plug ins,but after using the UAD plug ins, I won't go back. The DBX 160 was one of the selling points for me. It does what it's was supposed to do. It has that analog weight that all other plug ins fail to capture, including the Slate plug ins. The DBX 160 is a plug in that I use when I want to control transients. Put this baby on synths to tame and warm, bass guitar to fattened and control, and backround vox to blend. It's an incredible tool to have in your tool box. My one complaint and why I gave 4 stars instead of 5, is that they have yet to update the plug in. It's so small that it looks like a cheap stock plug in. But make no mistake. The sound is all there.
M. Vila Nova
Too long!
I've missed this compressor for too long! I invested in other UAD plugins just because I had another native alternative for this one... Oh my! This one is miles ahead... A fantastic and classic sound!
A. Adedwuon
Maybe it will be great if you like its sound
For me, I can't seem to find the sweet spot on this plug in Mastering. No experience with the Hardware it's supposed to be emulating but notices It's not harsh even at extreme settings. On the flip side, sometimes you want to hear a distinctive improvement of the audio being ran through the unit. Maybe one day, plugs will evolve and we can have something really magical that comes with warmth and sound-stage that good hardware provides.
A. Smith
Is this worth getting into the UA2 ecosystem alone?
Is this worth getting into the UA2 ecosystem alone? Well it costs considerably less than the real thing, you can have many of them working at the same time, trying to fit multiple Studers in a studio, let alone a home setup is going to be painful in more ways than one.
And then there's the impression that I get that it just sounds RIGHT. Unlike a lot of tape emulations! I can't quite explain it, it's sometimes quite subtle differences, but long listening you just don't feel it's artificial, or an EFFECT. It's tape without the tape.
A. Smith
good old snap and punch
Speed, timing and snap like nothing else, typical good old API. Colour or not to taste and there you are. The EQ is the old no-nonsense goodness, just select those special frequencies and you're off to the races, no confusion here.
If you need incredible precision with EQing, well there's other digital tools for that, but for a lot of stuff, you can get away with the API EQ and it's very nice in a more neutral kind of way compared with it's contemporaries, which equals less problems from the start, a good base to build from, rather than having to notch out certain frequencies later on.