UAD Signature Edition
Customer Reviews
UAD Signature Edition
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J. Brander
Great collection!
Great sounding! Just buy it!
J. Brander
Great Collection!
Great sounding, just buy it!
J. Brander
Sounds great!
Sounds great. I use it when tracking.
J. Moreland
Mmmmmm
First off, shame on UA for not releasing these babies sooner. Second, thank you so much for taking the time to get these perfect. I’d always heard that the 176 was the bridge between the LA2A and the 1176. No, these are much warmer than an LA2A and can be even more aggressive than the 1176. Both of these units can be used for almost anything - but that 175b turns a DI bass into something akin to a Justin Chancellor/Tool bass sound in seconds. And while I love the flexibility of the 176 as a compressor, you can use any of your other favorite comps for Drums, Guitar, etc. and then add it at the end of a bus chain (switching the 176 attack to OFF). It will change the character of anything run through it to something from a bygone era. Just like any number of “Analog” summing boxes/plugins but gooier and more dimensional. And while I can’t find it in the manual, I am 99% certain that when using the 176 for this purpose, switching between 2:1 and 12:1 ratios will result in different distortion brought forth (2:1 warmer/12:1 brighter). These are just awesome, beautiful sounding coloring tools.
F. Ramirez Rios
A must have plugin in your UAD library's
It's easy to use but the analog realistic effect that it gives to each of my productions is incredible, I can use it in the instruments and in the mix buss and the effect is even better.
D. Fornes Berenguer
Definitivo en Voces!!
Una pasada, insertado en los tracks de voz solo con los presets, se hace indispensable!!
J. Chung
Um,,,,
I don’t know,,
So so... ^^
S. Studios
ABSOLUTE TONE BEAST
Very versatile color box as well as dynamics shaper. Learning curve is not too steep, but once you get it....this thing is an absolute beast.
.
Amazing on everything
I fired up the demo mode a little while back for a rough mix of a country track and I loved how authentic it was on an aux track as bus reverb for the BGs. When I went back to my session a while later the demo had expired and I couldn’t get back the smoothness and authenticity with other plugs, so I had to buy it. It’s a must-have for folks doing roots music of any kind. It will become your go-to plate right away. Easy to use, you won’t regret it.
B. Edwards
Excellent and useful channel strip
This is a great plugin for tracking. I find the EQs a little harsh for vocals (though perhaps that'll be useful when working on snares and distorted guitars) but everything else is extremely usable and flexible.
The preamp is really nice - clear and bold at lower levels, really abrasive (in a good way!) at the upper end. The expander/gate is excellent, as are the filters and compression.
I find using API for subtractive EQing then the Pultec EQs after for additive works really well.
P. Garrod
In Your Ears
A must have for your CP-70!
E. Blake
Compression King
Only the finest all around compressor we’ve used.Have used the hardware version & was an awesome machine.I thought,did George Harrison use this very one.My Son’s favourite compressor as well and it will be used on most off his songs on his soon to be released debut album.Stewart Pierson Blake.Real music IS back Neil.Cheers
E. Blake
Brilliant vocal EQ / Compressor
I,like many powerful yet high tenor vocalists,need to occasionally reign in my midrange.VoxBox does it nicely.Cheers
M. Chomczyk
Great Tool !
Really great and warm sounding with analog feel. Easy to use. There are more modern and complex chorus plug-in's in this world... but this is the emulation of the hardware device so I cannot complaint. For me works great, sits great on my synth and guitar tracks. Worth recommending for sure. Good to have in your arsenal !
น. ห้องแซง
I love soud Pultec of Passive EQ Collection
The main tone is still there. It is a great sound. With warmth
I really like it
L. Oliveira
THIS PLUGIN IS A BEAST!
I love this thing, I use it in everything.
H. Ramsey
Great Sound
This is probably the best verb I've heard in a while. Had just purchased 2 other reverbs to expand my room textures and now I use Capitol Chambers for nearly every reverb application. I love it!
B. Yatron
Versatile, but also specifically suited to what I like
I've had my share of pricey compressor plugins. Many of them i liked and do like very much. I never found a bus comp that I absolutely loved before this one. I spent some time doing shootouts recently with the UA 2500 and G Bus Comp against several comparable compressors. The SSL, which I don't own but now want quite badly, was the easiest to get everything to really snap hard. Paired up against other SSL emulations, I was surprised how much it actually stood out. It has a thicker, bassier quality that I've heard some say isnt characteristic of the hardware but i dont know nor care much about that. I work on plenty of hip hop and electronic stuff, including my own projects, and the "roundness" of it really appealed to me, especially since it kicks like a mule. Which brings me back to the 2500. It was the only one in the running with the SSL but ultimately won the shootout for me because I can imitate the snappiness of the G comp with a bit of tweaking but I also get thrust, another compression mode, and something really nice happening with the mids. More importantly the 2500 does something i really like with drums. Its hard to describe, but I feel that - especially with syncopated drum patterns some quirk of the attack and release stages just move with the groove in a really pleasing way. Utterly subjective, unscientific nonsense but my impression was that while the SSL made drums and transients just lovely, the 2500 compelled me to nod my head when I brought it out of bypass. Just a great comp among great comps.
p. albert
Fairchild
Plug-in vintage d'une excellente qualité
p. albert
Pultec EQ Collection
D'une très bonne clarté en le mettant en insert simplement même sans changer les niveaux de réglage