UAD Signature Edition
Customer Reviews
UAD Signature Edition
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M. Malinski
Best emulation on the market
Hi
I own the real thing, and UAD version is really close.
Is sound so good, so sometimes I not using the real thing.
Great on vocals, drums.
Thank you
M. Malinski
Hard to live without 1176 in the studio
Hi
Very good plugs, very close sounding to real thing counterpatrs.
M. Malinski
Incredible close to original
Hi
I don’t have original hardware units just cos they very expensive, however I have very good clones from AML Manchester UK and I must say that UAD sound very good close to the hardware counterpart.
The same airness, same bottom.
Thank you
O. Min
Very unique sound
The unique moog sound is very good
T. Evans
Rockin'
These compressor models are an insane. It was a no brainer buying these digital remakes of the actual hardware models from UA knowing that UA are the founding fathers of these bad boys! You can really truly hear how these plugins react to the signal and saturate the audio just like the original hardware. Verry happy. One thing that I would like to see is a clearer picture of the compressor unit on screen. It looks a little blurry and unrealistic. But thats not really a criticism.
N. Flores
Muy bueno
Excelente para voces
F. Gaetzschmann
What a plugin !!!
First I wanted to buy the Lexicon 480L, but after demoing the 224, too, I decided to buy this one. For me it sounds smoother, more analog than the 480L. I use it to make rockmusic and it sounds well on vocals, drums, guitars, bass. Before that I used the Lexicon LXP Native Reverb bundle, but I don't need it anymore. Great !!!
E. Koch
almost perfect for vocals..
i think it was an attempt to make the century a jack of all trades that makes it an "almost" there...i can see this being the perfect sweet ticket go to for recording acoustic guitar, but it gets a little too gritty towards the top of the headroom on a hot mic for vocals, in my opinion... but some styles, maybe not, i suppose one could just back off on the mic, but i have the V-76 now, so the century is going to get other jobs...
it's a great grab and go, and probably the best bang for the DSP out there..
E. Koch
better than a crusty SPX-90 plate.
some people would probably want to hang me for saying that, but i had a rack mount SPX-90, and i seriously do not remember the plates sounding as good as this unit..
maybe it was the noise...i had a buzz in my old SPX that was just loud enough to drive me nuts...this, of course, is dead quiet; except for the lush plate verb sound it dishes out so well....totally excellent.
E. Koch
not complaining..
it's not the roland i don't have,
but yeah; this is one super sweet tape saturation muti delay for sure...
i have nothing to compare it to, but that's the same reason i certainly appreciate having it :)
M. Greiling
My new Drumstrip
Put it on every Live-drum-channel. Magic happens to my ears!!!!
M. Greiling
WOW
on Vocals and Guitar. as an unison Preamp, amazing!
l. parker
yep
a fantastic organic sounding addition to my other UA reverbish favs.... EMT 140, Ocean Way... hard to restrain myself from using way too much of it right now cuz I love it too much.
A. Olivera
MY NEW VOCAL PLATE
Basically since the first time I tried the demo of this reverb I fell in love completely. She definitely became my partner when it came to mixing and recording vocals. Pure Plate makes you feel in a deep space perfect for singing or playing any instrument. I use it on vocals mainly but also on drums, guitars, whatever ... Pure Plate is an expensive sounding reverb at a friendly price.
T. Fleet
Fab
Great sounding chorus, simple controls.
F. St-Gelais
Another killer tool
Absolutely love it! Super flexible and easy to use, with just the right amount of signature API vibe, punch and character.
D. Long
Excellent Plugin
Been wanting to use it a long time ago. Just what I expected. Great quality
E. Koch
Way! ( part two )
my first review was sort of a series of blanket statements, applicable for Some people making compressor purchase decisions..
i have softube's drawmer and weiss, so this is a tracking go to for me...if you want this for tracking, or your drum bus, look also and the Bx_Masterdeck...but if you do more cleen open mixes, this might be a mastering go to...
L. Flores
LA-3A
The LA-3A , is a my go to for adding a Comp/limiter to bring clarity And a boost to my mix buss or individual busses without mudding the which ever buss I place it on. And on a side note, recording with Luna, working oh so well! Apollo 8P & Luna , well done UA Audio.
E. Koch
no way...no, Way!
it's a little slow,( even in 1 ), but anything i would use it on wouldn't have it as it's only dynamics processor anyway....it gets a little muddy heavy into the "big soft knee" but backing it off clears it up, and it absolutely sings at minimal knee settings..
basically, the lower your threshold the sharper you want to run the knee...conversely, the higher your threshold, the more room you have to soften up the knee....but if more knee starts getting dark on you, and your trying to keep your threshold low, back off on the knee, and it brightens up..