UAD Signature Edition
Customer Reviews
UAD Signature Edition
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J. Byron
What can I say? Smoooooooth
This thing is just glorious. I don't use it much as I am usually pushing my CPU to the max on big projects, but this emulation on strings is just like honey. I will be using it more on a synth project soon. Love it.
S. Kramer
First stop on the master bus
The colorization possibilities provided by tape choices, tape speed, eq settings, etc. has me reaching for this lovely recreation, way ahead of other plugins in my master bus. The warmth or grit it can supply is amazing.
J. Geary
Tape Trio!
As many others here have said, this isnt a "lite" version of the Studer or Ampex machines. The Oxide has a flavor of its own! As someone who likes to fiddle with all the options under the hood its a lifesaver for short deadlines with it's "set and forget" design. Low DSP usage and the pleasant "glue" it adds when used across a mix makes this a win win for me!
E. Wells
Make your tracks shine
Wanted to try this out on prerecorded material since most only talk about it as a Unison plugin.
Could not believe the difference it makes on existing vocal tracks a definite winner.
Love this plugin.
j. el mutante
MUY BUENO
SE LO RECOMIENDO
D. Grossman
wow!
UA has changed my life in so many ways....But if I had to pick one plugin that has LITERALLY been a game changer...the Pultec. I am fairly new to professional level mixing and mastering...I loop my djembe live ....pretty much everyone agrees that getting the low end is one of the hardest aspects of pro audio mixing....I was stymied and have been for years how to capture my djembe drum. I had everything sphere microphone and 76 UA plugins but it wasn't until I discovered the "Pultec Trick" on the low end that my life got so much easier! Look it up....boost the low end and attenuate at the same time....really shapes the sound!
M. Capitani
Excellent Plugins From UAD Yet Again
I love these compressors. They are sophisticated in their design in the way that they give your tracks punch and presence at moderate input levels but sound smooth and forgiving without that harsh dead sound unlike a number of other emulations and digital compressors out there.
My favourite use is putting the 1176 RevA on the drum bus following a good dose of saturation to tighten things up and recover transients. In addition, that distinctive pumping warmth you get on kick drums when you increase the gain is too good. I A/B’d this with a straight volume increase and no compression to make sure I wasn’t fooling myself and started to quickly grab my wallet for my bank card. You got me again UAD. Great work
R. Walsh
Adds Thump
Nothing is as important in pop and rock mixes as the kick and bass working together to drive the beat. The DBX works so often to make this really happen. Nothing is right a hundred percent of the time. I still start with the 160 on my kick and bass then go from there. You will be right much more often than wrong. It can also smash a acoustic so it can be pulled to the front of a mix. While I am sure it has dozens of other things it does well. However, the three I listed make the DBX 160 a must have.
R. Walsh
Adds Thump
Nothing is as important in pop and rock mixes as the kick and bass working together to drive the beat. The DBX works so often to make this really happen. Nothing is right a hundred percent of the time. I still start with the 160 on my kick and bass then go from there. You will be right much more often than wrong. It can also smash a acoustic so it can be pulled to the front of a mix. While I am sure it has dozens of other things it does well. However, the three I listed make the DBX 160 a must have.
R. Neville
I love it!
This one is probably my favourite reverb that I own from uad so far.
R. Neville
Owned the hardware
Sounds pretty identical to the actual hardware unit.
E. Wells
Forgot what I was missing
I sold my BOSS CE-1 years ago because I wasn't using it much.
Didn't take long with this plugin to remind me why I purchased it originally plus the plugin allows easier routing so you can use it on things that the original pedal didn't work well with.
Really glad to have this chorus back at my disposal.
H. Mahdavian
Excellent
One of the best and most colorful plug-ins of universal audio. I always use this plug-in in my mixes and it’s incredible on my instruments: Tar, Setar and Oud (Iranian Instruments)
C. Uquillas
Excellent
Great plugin !
T. Baize
Capitol Chambers GOOD!
GOOD!
e. sanchez
Excelent
Es excelente suena muy parecido al hardware. Ideal para poner en la entrada y grabar con la calidad y sonido final
N. Thiện
Century Tube
Verry Good
K. Frost
Capitol Chambers where history was made.
Presets offer good starting points. The controls are not hard to understand and make it easy to fine tune. It definitely has a lushness to it. I have only had it a short time, I did put it on some tracks that I am currently working on. On some tracks it was “what was missing”. On others it was good, but not much better than what I was already using on other tracks. Just like 480, it has its place, like all the reverbs do.
I did find a great blend with Vocals on Capitol Chambers and Acoustic guitar fed to the Cooper Time Cube, the “space” that each offers blended well together on that mix. Hope that made sense. Anyway as I am learning there is “no” one stop shop in this craft. Take time learn the plugins you have, read the manuals, they really help, then you turns knobs with understanding and use your ears.
B. Jung
Outstanding
Capital Chambers is the best and most natural sounding reverb I know. I use ist for guitar, and there is nothing better on the market. It beats every reverb beginning from Strymon to Eventide to Lexicon... There is no latency with Apollo, so I can use it live. Outstanding !!!
s. jerry
Fais le job
Je cherchais le son compas, je savais qu’avec la Brigade j’allais l’obtenir.