UAD Signature Edition
Customer Reviews
UAD Signature Edition
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G. Scharmer-Choi
Amazing
The first emulation that, to my understanding, really transports all the feels of the original. Congratulations UA
m. linett
Great New compressor from UA
I had no idea this was in the works, and have been auditioning it all morning on some mixes I've been working on . Really adds "glue" to the mixes and a subtle amount of the saturator is bringing out additional detail. Going to try it on various submix busses next...... A+
G. Myers
WOW
Wow sweetened with verb!
L. BRANDAO
Real feel
First Rhodes Mk1 emulation that makes me feel like i'm playing a real MK1
W. Shanks
The Greatest Mastering Compressor You've Never Heard Of
What do Capitol, Motown, Geffen, A&M, Virgin, Interscope, Island, Def Jam, Blue Note, EMI have in common? These label's catalogs have all been elevated in the mastering stage with a compressor you probably had no idea existed. Custom designed and voiced inside Capitol Studio, the CM5511 has been employed to master some of the world's most beloved music from classic to current. You'll just have to trust UA got the sound of this incredible custom unit right, since only four units were ever made! It's a safe bet...
M. Pitts
Beautiful Sound
combine this with https://www.uaudio.com/uad-plugins/compressors-limiters/tube-tech-cl-1b-mkii-compressor.html
tube tech cl1b mkII for best results!
g. parenti
Increíble
Increíble sonido, no he probado nunca un original, pero este plugin, al ponerlo ya mejora todo, super suave y con una calidez excelente, lo uso en cualquier estilo de música, comprimiendo o solo agradando carácter, increíble!
I. Nandha
Avalon is must for any studio owner
Started recording with this the very day I got it and I don’t know why I waited so long to get it. For me it’s a goto plug-in when burning in to the audio direct it sound that good.
I. Nandha
An absolute must
I can’t actually say too much about this, it came highly recommended and having used the hardware the software is as great.
I. Nandha
An absolute must
I can’t actually say too much about this, it came highly recommended and having used the hardware the software is as great.
G. VENL
M y secret weapon Oxide Tape Recorder
My secret weapon Oxide Tape Recorder
I heard / saw this plugin at Fab in combination with a mix he was working on live...And thought I must have it...Sorry I bought a UAD-2 Satellite Octo for this tape plugin ;-)
D. Groulx
Wonderful EQ
Hard to make anything sound bad with this EQ. Owned other Pultec plugins prior to purchasing this one and I am not disappointed one bit. This one replaces them all. Thank you UA!
I. Radic
A beast
It was love at first sight,i'm using it in every recording session,it adds direction to the instrument wrapped in a subtle saturation.
M. Sergeyev
Nice vocalsound
Just love it best plate for vocals
L. Carlos
Simple but very effective
If you know how to use a tape, it will serve you well.
Controls straight to the point and very simple to use. Whether it's the first in the chain or the last, it sounds very beautiful!
P. Jacques
A Leslie for the Ages!
A truly great Leslie simulator. I just used it on a shaker for a track and the rotary was perfectly timed to the tempo and gave the breakdown a really cool swirly vibe that everyone was freaking out to just how cool it was. Thanks to UA for making me sound better than I am!
P. Jacques
Right Up There With the Capital Chambers!
A phenomenally musical reverb with great flexibility and control. It is so cool to nail down the Motown sound on your own recordings. It is awesome to A/B it with the Capital Chambers and hear the differences in vibe to your track. I've been in love with the Capital Chambers since I got it but now I have a new tool in the arsenal with the Hitsville Chambers. UA just keeps hitting Homers!
A. Lopez
My goto Tape echo Plugin.
Excellent tape echo! My guitar and my ears love it!
J. Lewis
Different flavours, all rather good
I've never had the pleasure to work with a real LA-2A, so my only experience is with plugins and I've been an avid user of other developers LA-2As for many years and have a small collection of them, so although a friend had waxed lyrical about these UAD versions, I was sure I had all I needed and I was very happy with what I had. So why did I bother to take these for a test run? I obviously needed to find out for myself that these variations are well worth using within my work and add a wee sprinkle of magic which is a slightly different kind of magic from the others I already own. Such a simple compressor to use, yet such wonderful results as long as you don't push too hard. Despite now being poorer financially, I'm happy to say these variations are finding their way into my work on a regular basis along with my other favourite compressor the U73. My only bugbear with the LA-2A and U73 is the release times may not suit the track rhythmically, so adding an ability to change the release times would be wonderful, although I'm aware that this would be taking it away from its origins, but we've moved on from horse and carts, so..? Regards these particular LA-2A, I'm not a fan of the gain being turned up as default (I'm not a fan of any plugin having its gain set higher than unity as a default) and, unless I've missed something, being unable to type in figures for the controls, or even see any figures, is disappointing. Yes, I want to use my ears while adjusting, but if I want to make very small adjustments it is a lot easier to adjust by inputting numbers.
M. Giraldo
buen preamp
suenaa bien y tiene buena coloracion