UAD Signature Edition Version 2

Probably the most realistic plug-in I've heard so far - and I have a huge number from Waves, and several other excellent companies. Having worked countless hours for over three decades on analog tape machines by Ampex, Otari, MCI, Studer, etc. I haven't been convinced until now. I think UA did a remarkable job with the ATR-102, and the positive quality it adds to my tracks (especially in Mastering) is significant. Thank you for this wonderful addition to my arsenal.

Rafael Carmany
Cobalt Creative Recording Services

After using a DAW for the last 12 years and not getting to use tape, I've forgot how it just glues it all together. I always loved the sound of Bass, Kick, Overheads, and Acoustic Guitars on tape. The Studer A800 was one of my favorite machines to print to as well, UA hit a homer with this plugin. There aren't many plugins that take me back to times in my tracking or mixing but this one did. That Fat Warm Vibe was present after doing a mix with this plugin! The best part about it is you can totally use different formulas for different instruments! Kick on 456 +6 and Acoustic on GP9 +3 Bass on 900 +7.5 that is a great amount of flexibility that the analog world can't give. UA is a great company that moves to get better and better. WELL DONE

I couldn't wait when I saw this opportunity:

25$ voucher plus 50% off in June, this constellation dropped the price down to 55,99.-$ for this amazing plug!

I had the LA-2A already before and then watched the great video of Glitch Mobs' tutorial and a desire was born.

Powerful, easy to use and great sounding make this plugin to a must-have...test it!

Amazing sound! fat, and can be dirty as i want... but natural...

All I can say is WOW! Just got it, fired it up and did a couple of vocal tracks just fooling around (like testing) and again, WOW! I CAN'T WAIT to get serious with this plug-in! I would give it 10 stars, if I could (or a hundred, a thousand, whatever!).

In the late 80's, the studio where my group and I used to record had two of these machines (and a Trident console). There is NOTHING like 'em!!!

I also can't wait to get the 2 track, analog tape recorder plug-in from UA. I read about it and saw the demos and I'm ultra jazzed about that one too!!!

EB
From The Hip, Inc. Animation Studios
:-)

Love the Manley Massive Passive EQ for mastering and mixing jobs. Provides silky smooth control over the audible spectrum. If there is a need regarding eq... the Massive Passive has a knob for that.

Very flexible. If I'm dialing in enough reverb because I want it conciously heard I use the Lexicon 224. Clean and clear all the way to the end.

The Studer A800 plug-in is one of those "must have" tools.

I've been amazed at how things can be rescued simply by added this to the insert. I also use it across the mix bus to eliminate that digital harshness that typically builds up over the course of an "in the box" mix. It's amazing.

I had the opportunity to purchase an actual A800 several years ago for a mere 5 grand but it needed a $24,000 head block replacement so I gave it a miss and was very disappointed.

As far as I'm concerned, I now finally have one with this plug in, only without the $300 per roll tape costs and $500 monthly lineup fees, and I'm not limited to just 24 tracks.

This plug-in combined with the new Apollo is the game changer the industry has been waiting for.