UAD Signature Edition Version 2
Customer Reviews
UAD Signature Edition 2
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T. Fitch
Best Yet!
I have so far been unable to find a digital reverb that didn't sound digital. Then I demoed the 422.
I have been fortunate enough to have used the 224 and 422 in the past. This is it. Again UAD gives us as close to the real deal as is possible. After a couple minor tweaks to fit the flavoe of each song, It just sits in the mix. It will be on every mix for a long time. Many thanks UAD!!
Todd Fitch
The Sound Shop Mobile Recording / Gigstream
S. Haney
best plugin to emulate distortion on compressors
I have tried loads of plugins, and although they can get pretty close like the waves version, once you start ramping up the gain, nothing comes close. To me this is what makes these character compressors so good to work with, you can use it almost like a reverb to get a certain spacial air to your program material, like drums or vocals, and this plug in delivers in spades! The price is amazing for what it can do.
S. Hughes
LA-2A heaven
I already had the original UAD-2 LA-2A that came bundled with the Apollo, and never considered the merit in buying it again as the new Classic Leveller Collection.
So glad that I ended up getting it though. Completely different beast.
UA has outdone itself this time and I feel they've perfected this classic box at long last, and while they were at it, they modelled three classic versions of this DREAM box for audio pros in the know.
I just used these for the first time on a session this week, on lead vocals, guitar, and even bass in the final mix, and that same track for Gold Record artist Noel Parlane is now already playing on air in Ireland, Germany and New Zealand and getting great responses from Radio officials.
That says it all.
N. Pitloglou
The holly "Three"
After purchased the LA-2A Classic Leveler Collection, I spent many hours trying to find which one sounds better. The point? Each one has its own magic depending on the usage. For example on different singers I found that I had better results with different revisions of LA-2A. Is it complicated? No. It's creative! Amazing colors, amazing compression.Highly recommended!
P. Giacalone
Brilliant! Powerful!
This plugs in is incredible. It is VERY different from the Studer A800 which I've had for a little while now. The Studer is very plug and play - it's hard to go wrong. There are different settings but they don't vary too drastically and they're all kind of moving in the same direction.
The Ampex is a whole different beast. It reminds me of working on a high end console. If you know what you're doing, you can do great things. if you don't.....you can make a royal mess. You just have to be more careful and pay more attention when using the Ampex. If you do, the results are phenomenal! I can't imagine mastering without it.
For anyone wondering - No, putting the Studer on your mix bus is not at all the same as using the Ampex.
J. Moreland
A little effort and you're in analog heaven!
While at a session in L.A. last week, the band and I over the songs a few times as the engineer was getting tones and recording them to Pro Tools (sounded fine). Then we tracked the keepers onto a 2" Studer machine. I couldn't stop grinning after hearing my kit played back through that deck (it's been so long, I'd forgotten what tape does for drums). When I got home I started the A800 demo, tracked some drums and right there in front of me was that sound. Subtle on the overheads (like they were EQ'd - with really awesome EQ), more pronounced on kick & snare (the body of the drums were pulled forward, whereas it was mostly attack before). The price kept me from trying this out before. Don't be stupid like me, buy this. I finally did.
D. Dipietro
How many LA2's do you need?
My inclination was to skip this since I already had the stock LA2. Why do I need more versions of a compressor I've already got. Then of course with the 14 day trial I decided to experiment. Throwing the Gray faced on a kick I recorded for a punk band and changing the emphasis control was all I needed to convince me it was worth the money. That control alone is worth the price for me.
I put the LA2 on everything low end and the emphasis control is now a necessity and the stock LA2 gets very little use.
J. Chaney
Very nice indeed
Look, Feel and Sound ! the GUI just takes you in with all the quirks of the real thing. its elegant across the board. Much better than waves with color options and cpu power. Just get it and stop thinking about it.
M. Linda
Great
Great on vocals, great on bass. Really major step from the old UAD L2-2A plugin.
R. Lebbos
Very good product
Amazing emulation !! I have 2 distressor, a Hardware LA-2A and still the Rev A is most of the time the best choice for vocals.
I love it, as much as I love the A800 studer, the EMT 140 and the massive passive.
C. O'neal
Now I understand
I've only been engineering my own music (well) for about 2 years now. Yet in still... I never understood what people meant by "mastering plugin". It just didn't make sense to me. Doesn't every EQ do the same thing??? Why on Earth would I spend extra money to have a "mastering" grade EQ when I have plenty of EQ's already.
Then I demo'd Manley Massive Passive.
I get it now lol. Slap it on my master bus... and I can pretty much dictate the exact sound that I want to give my mix. I don't know what's under the hood... but there's something about this EQ that just sounds amazing on the master bus. It's the perfect weapon... and it's taking me from good music to great music, Thanks UA. Job well done.
M. Arias
Buenísimo...
With 1176 now with three 1176 this is great sound and versatility is these is indecripotibe
M. Arias
Excellent
It is a great improvement compared with the previous LA-2A
a character and stuck espelusnate :)
F. Kullack
a fantastic collection of compressor plugins
Now I know, where true analog sound comes from...the transformers and the distortion of the Rev E. I heard, that some engineers put the "E" into the master bus without compressing and that´s what I do, too.
Listen: https://soundcloud.com/frank-polar/frank-polar-feat-sorje
F. Kullack
a fantastic eq
now I know, where the professional mastering sound is coming from...especially a eq like this one! Comaperde to the NI-version of this eq: UA...You did a fantastic job...sorry NI!
P. Larose
Une grande ouverture
J'ai eu l'occasion de tester les simulateurs de bandes la première fois dans la collection wave. Je suis depuis resté plutôt sceptique sur la question, cette chose en plus qui apparait et sur laquelle on se pose beaucoup de questions 15 minutes plus tard et que finalement on enlève très vite. Pour le coup cette version du A800 est particulièrement étonnante car elle ouvre sur tous les paramètres existant sur l'original avec une réelle palette de textures, une finesse qui va bien au delà d'un simple boost des bas et des médiums arrondis pour donner l'aspect "tape". Je n'ai pas encore évidemment eu le temps de faire le tour de cette outil mais il m'apparait déjà comme terriblement excitant et créatif.
M. De
dbx-160
Don't know the original that well. However the unit works extremely welll on bassguitar and double bass to keep the low end steady in the mix, without sounding to artificial or loose credibility.
M. Krauth
One of the best compressor
According to me, these plugins are one of the best products of Universal Audio. The renew of the legendary 1176 is really a succes and we really ear the difference with the original one, especially when you push the saturation. A lot of dynamic and character.
I. Papagiannidis
Unique!
i had the sound in my ears from Enigma records and other 80's favorite productions...
i cant believe in my ears ...it sounds exactly the same... its sound is so unique
best reverb for all kinds of music and instruments
Producer /singer/ songwriter
www.webartag.com
P. Giacalone
My go to Vocal comp
My old college studio (20 years ago) had one of these so I had a lot of time with one. I love this comp. The UAD plug is my go to vocal comp. Wonderful warmth with great midrange clarity.