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Customer Reviews

UAD Signature Edition 2

Overall Rating

18341-18360 of 19068 Results

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R. Hazell

July 7, 2013

LA-2A Collection

Haven't heard anything with this much analogue mojo in a compressor before. The UA plugs just keep getting batter.

A. Souza

July 6, 2013

Amazing!! Sweet!!!

The most amazing plugin ever!!! Make my tracks sweet!! Acustic guitars, voice and more.

J. Grefsrud

July 5, 2013

Awesome

This plugin is so good I'd like to use it on every channel! But the multi-unit Apollo-software is so buggy that I can't..
Hoping to be able to use it more after UAD 7.2.

T. Reis

July 5, 2013

Excellent

Finding its way on to more and more of my tracks. What can I say about this that hasn't been said before ?

S. Grush

July 4, 2013

Magical

This collection is super legit. From soft to heavy compression and everything in between, you need these in your mixing repertoire. My first instance of "wow" was using the Silver on a lead guitar. I was just fighting to get the lead to sit right and I pulled my entire chain a part and started over. Removed the outboard Distressor (which is super rare to do that) and the lead just sat well in the box. No EQ, just the Silver. I went back and carved the EQ a bit and it was polished like a gem.

Highly recommend.

S. Grush

July 4, 2013

Options Galore

This was the first purchase post Octo purchase for me. I was immediately in love with the compression versatility and options this bundle brings to the table. My first mix implementing these guys was much tighter than I can ever recall with other products. I'm very excited to have the UAD products in my tool belt and I'm really excited to hear the mixes I've always wanted to hear, moving forward.

T. Fitch

July 4, 2013

Best Yet!

I have so far been unable to find a digital reverb that didn't sound digital. Then I demoed the 422.

I have been fortunate enough to have used the 224 and 422 in the past. This is it. Again UAD gives us as close to the real deal as is possible. After a couple minor tweaks to fit the flavoe of each song, It just sits in the mix. It will be on every mix for a long time. Many thanks UAD!!

Todd Fitch
The Sound Shop Mobile Recording / Gigstream

S. Haney

July 4, 2013

best plugin to emulate distortion on compressors

I have tried loads of plugins, and although they can get pretty close like the waves version, once you start ramping up the gain, nothing comes close. To me this is what makes these character compressors so good to work with, you can use it almost like a reverb to get a certain spacial air to your program material, like drums or vocals, and this plug in delivers in spades! The price is amazing for what it can do.

S. Hughes

July 3, 2013

LA-2A heaven

I already had the original UAD-2 LA-2A that came bundled with the Apollo, and never considered the merit in buying it again as the new Classic Leveller Collection.

So glad that I ended up getting it though. Completely different beast.

UA has outdone itself this time and I feel they've perfected this classic box at long last, and while they were at it, they modelled three classic versions of this DREAM box for audio pros in the know.

I just used these for the first time on a session this week, on lead vocals, guitar, and even bass in the final mix, and that same track for Gold Record artist Noel Parlane is now already playing on air in Ireland, Germany and New Zealand and getting great responses from Radio officials.

That says it all.

N. Pitloglou

July 3, 2013

The holly "Three"

After purchased the LA-2A Classic Leveler Collection, I spent many hours trying to find which one sounds better. The point? Each one has its own magic depending on the usage. For example on different singers I found that I had better results with different revisions of LA-2A. Is it complicated? No. It's creative! Amazing colors, amazing compression.Highly recommended!

P. Giacalone

July 2, 2013

Brilliant! Powerful!

This plugs in is incredible. It is VERY different from the Studer A800 which I've had for a little while now. The Studer is very plug and play - it's hard to go wrong. There are different settings but they don't vary too drastically and they're all kind of moving in the same direction.

The Ampex is a whole different beast. It reminds me of working on a high end console. If you know what you're doing, you can do great things. if you don't.....you can make a royal mess. You just have to be more careful and pay more attention when using the Ampex. If you do, the results are phenomenal! I can't imagine mastering without it.

For anyone wondering - No, putting the Studer on your mix bus is not at all the same as using the Ampex.

J. Moreland

July 1, 2013

A little effort and you're in analog heaven!

While at a session in L.A. last week, the band and I over the songs a few times as the engineer was getting tones and recording them to Pro Tools (sounded fine). Then we tracked the keepers onto a 2" Studer machine. I couldn't stop grinning after hearing my kit played back through that deck (it's been so long, I'd forgotten what tape does for drums). When I got home I started the A800 demo, tracked some drums and right there in front of me was that sound. Subtle on the overheads (like they were EQ'd - with really awesome EQ), more pronounced on kick & snare (the body of the drums were pulled forward, whereas it was mostly attack before). The price kept me from trying this out before. Don't be stupid like me, buy this. I finally did.

D. Dipietro

July 1, 2013

How many LA2's do you need?

My inclination was to skip this since I already had the stock LA2. Why do I need more versions of a compressor I've already got. Then of course with the 14 day trial I decided to experiment. Throwing the Gray faced on a kick I recorded for a punk band and changing the emphasis control was all I needed to convince me it was worth the money. That control alone is worth the price for me.
I put the LA2 on everything low end and the emphasis control is now a necessity and the stock LA2 gets very little use.

J. Chaney

July 1, 2013

Very nice indeed

Look, Feel and Sound ! the GUI just takes you in with all the quirks of the real thing. its elegant across the board. Much better than waves with color options and cpu power. Just get it and stop thinking about it.

M. Linda

July 1, 2013

Great

Great on vocals, great on bass. Really major step from the old UAD L2-2A plugin.

R. Lebbos

July 1, 2013

Very good product

Amazing emulation !! I have 2 distressor, a Hardware LA-2A and still the Rev A is most of the time the best choice for vocals.

I love it, as much as I love the A800 studer, the EMT 140 and the massive passive.

C. O'neal

June 28, 2013

Now I understand

I've only been engineering my own music (well) for about 2 years now. Yet in still... I never understood what people meant by "mastering plugin". It just didn't make sense to me. Doesn't every EQ do the same thing??? Why on Earth would I spend extra money to have a "mastering" grade EQ when I have plenty of EQ's already.

Then I demo'd Manley Massive Passive.


I get it now lol. Slap it on my master bus... and I can pretty much dictate the exact sound that I want to give my mix. I don't know what's under the hood... but there's something about this EQ that just sounds amazing on the master bus. It's the perfect weapon... and it's taking me from good music to great music, Thanks UA. Job well done.

M. Arias

June 27, 2013

Buenísimo...

With 1176 now with three 1176 this is great sound and versatility is these is indecripotibe

M. Arias

June 27, 2013

Excellent

It is a great improvement compared with the previous LA-2A
a character and stuck espelusnate :)

F. Kullack

June 27, 2013

a fantastic collection of compressor plugins

Now I know, where true analog sound comes from...the transformers and the distortion of the Rev E. I heard, that some engineers put the "E" into the master bus without compressing and that´s what I do, too.
Listen: https://soundcloud.com/frank-polar/frank-polar-feat-sorje

18341-18360 of 19068 Results