UAD Signature Edition Version 2
Customer Reviews
UAD Signature Edition 2
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R. Boyce
From subtle to over saturation it does it all
I've tried almost every tape saturation plug in out there, but this is the first one I have actually used regularly. From taming some high end, to really soaking up that low end, to achieving and old school tape sounding mix, this plug in gets it right with all the adjustments you need to get the sound you are looking for!
R. Boyce
My go to plug in for tracking
This is the perfect plug in for tracking, api is my favorite analog gear to use and with this it's like having my own api console while tracking or when I need to change the sound of a not so well recorded instrument or vocal without having to run them through my real api gear! Great job UAD
T. Cosentino
I loved it when I heard it working for about a minute
Whether it's the fault of Apple computers or UA , the bottom line is that my brand new iMac doesn't work with my Apollo Quad. A problem that has now for me been over a month with no solution as of yet. So.........I'll review this software and the interface when some party can get around a fix. I am not the only one who has been inconvenienced both financially and time wise by this issue and the fact that, to this day UA states on it's site that this unit is supported by the 2013 iMacs makes them responsible to a great degree.
D. Tartar
Transparent
I will go to this compressor if I really need to dig into something to obtain substantial and uncolored signal management. Since it's attack and release times are non-adjustable it's either going to work really well or it's not depending upon the tempo of the program material unless you pair it with another compressor like the 1176 to catch the super fast transients if needed. It's pro's are it's simplicity to setup and it's tidy throughput. You can get massive signal management out of the LA-3A with very little setup. It's release time is substantially faster than the LA-2A which makes this unit more flexible in my opinion. A youthful LA-2A... clean, tidy and agile.
M. Lister
As good as it gets
This is about as close as you will get to the real thing.
Superb colour and detail, what more could you wish for ?
I would not hesitate to recommend this to anyone wanting "that" sound.
Remember the "Blade runner" soundtrack ? then get your CS80 out !!.
F. Minoia
One of the best UA
Compression very warm and useful on any type of sound. The controls are different and efficient. The presets are great (even though I always change something). The presence of sound, also used in mastering, increases dramatically. Highest mark.
L. Hughes
Superb!
I've been playing with both the 660 and 670 for a while now and have been impressed. Today however I completed a classical guitar recording that needed lots of dynamic range but required some peaks taming. Since this was a solo instrument recording I had to be careful not to destroy the tone of the guitar. I tried a few compression options and the 660 blew them all away. Giving just the sound i was looking for. I own all of the UA offerings plus various other industry standards. Never hand to honour of trying the real thing, but there tools are utterly amazing.
S. Dziegelewski
API vision strip is great for drums!!!
I recently started tracking drums for philadelphia based band The One2s and decided to demo the API Vision strip. I usually don't like channel strips as I like to mix and match my EQs and Comps. But this thing did the trick for the whole kit!!! I was able to get the drums punchy and cohesive in a very short time . The overhead mics really responded well to the API giving a great stereo image that was bright and full with out being harsh and tinty as most channel strips I've tried . After that I purchased it as soon as the 14 day demo was up of course. lol
D. Sanchez
LOVE.THIS.
I'm absolutely in love with this compressor. It's like butter.
M. Elliott
Great on acoustic!
it really is amazing having the Fairchild pllug-in available for mixing. Considering how rare these units are, Universal Audio has once again made it possible for the world to experience the character of this great unit.
W. Lewis
review
I am unable to use any of the many many UA plug-ins since I have updated to 7.4.1, as I get -38 and -50 errors repeatedly.
If I cannot get this resolved, I will be forced to use competitor products, which are not my first choice. Very frustrated.
Wes Lewis
D. Van
Silver shining grit
Bought the LA-2A Leveler Collection. Wow, awesome sound.
L. Karlsson
Killer EQ
Three great filters, but it should exist as a rack as well, likte the picture.
J. Carmo
Best Emulation ever made...
The legacy series are ok , but the new 1176 series are the Best Emulations
in the market. The first time i run these new plugs, i fall in love...really smooth
and Punchy. If you want better, just the original hardware !!! Thanks UAD team...
J. Piotrowski
Great plugin
Thank You for this awesome plugin! I use it for vocals, drums and it is absolutely fantastic!
S. Schmidt
Not just another compressor.
Wow! Currently I am working on some 60s style Rock tracks and this plugin came just at the right moment for the work ... sounds like true tube compression and circuitry, (FINALLY!) has a mix button for parallel compression and a very interesting and usable MS-mode.
S. Ghadaban
New Pultec EQ Collection
UAD enhanced this older plugin again like the LA-2As and 1176 collection. Sounds awsome for me!
But...now it contains one disadvantge compared to the older plugin before:
The first version is having the Mid-Band visible on one plug, this one you have to navigate between the two; three if you want to include the LP/HP. It'd be nice to have the option to have them all visible in one instance. I need now 3 insert slots in one channel to work with this plugin and the switching between the 3 slots is annoying.
Please offer us a version that contains all 2 or 3 eqs in one plugin like before.
G. Piazza
My new desert Island compressor
Finally, a UAD comp with a wet/dry knob! But so much more than that. The sound, the variety between the 660 & 670, the excellent saturation, variable knee, M/S and the ability to dial in the amount you want (wet/dry) makes this incredibly versatile - a rich tonal palette for everything but absolute transparency. But in a digital world, transparency is often the problem - and here is an A+ solution!
This and the API stuff shows a stepped up game from UAD - still the king!
G. Piazza
Good but very 'solid state' sounding
I avoided this one for a long time, feeling that I can get similar results with the Voxengo Crunchessor or Sonnox Dynamics. Both are warmer; the dbx has a thin 'solid-state' sound, much like the old 166 I have.
Still, that is a unique palette, so I finally got it on sale.
Nice transient pop and good for parallel compression.
If you are trying to decide between it and the API Vision, the API is the hands down winner (the Neve is also great). If you have the scratch and love the dbx sound, get it.
I never set the ratio higher than 2.5:1.
D. Favuzza
Fairchild collection
Yess...!
I use it on channel, group and bus..!
I love the combo with harrison Eq!!
Giusto
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