UAD Signature Edition Version 2
Customer Reviews
UAD Signature Edition 2
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M. D'Andrea
wonderfull tube limiter sound
great on every group tracks.it's the perfect recreation of a legendary analogue tube limiter....and the feeling is amazing...another great plug in from uad and a must have with 1176-la-2a - dbx 160.
perfect on vocal buss,guitar and acoustic instruments...great even on the mix buss
M. D'Andrea
color for your digital world
nothing to do with the version of waves .... just plug it into your voice or acoustic guitar tracks to hear all the beauty of this historic compressor. thanks universal audio
M. D'Andrea
perfect punch on drums
this vca is a great reproduction of the famous dbx 160.this simple plugin work very well on kick drum and snare.
great choice for every tipe of drums or bass guitar
M. D'Andrea
a must have.
1176, la-2a, dbx 160 compressors and fairchild are to make every mix equal to a hit .uad managed to recreate this wonderfull version of this must have compressor . outstanding on drums, on parallel overhead ,on snare.tom,kick drum.perfect on female voices, bass ... This plug in is phenomenal.
Thanks uad
M. D'Andrea
analog EQ to your mixes buss
great EQ to create valvular and analog feeling for their group tracks or to mix buss
g. monaghan
Silver Bullet
Indistinguishable from the hardware LA2A in the rack that I A/B'd it with, except now I have one for every track!
C. Albright
You don't need me to tell you if it's good or not
This plug in sounds like an la-2a. It fits on things that I can't really make an 1176 sound right. If you have an 1176, and la-2a in your list then you have 90% of your dynamic needs
.
The Truth
These compressors are amazing....The sound quality is as good as it gets....
M. Scott
Instantly made it into my mix template
I've had the great fortune to have used a fairchild 660 on a couple of occasions and it instantly became apparent why the 660 and 670 had earned their reputations. I've used some of the other emulations around but this one stands out and reminds most accurately of the 660's I've gotten to play with in the past. Very colorful and now more flexible than any other emulation with the ability to adjust H.R. and DC thresholds, sidechain HP, and the always welcome mix control. This thing is an absolute monster in parallel !!!
R. Bouma
a 'should have'
You'll be surprised how much you will use it once you have it. From simple gaining to heavy compression/limiting. It has so many hot-spots for different purposes! If i had to choose one it would be this. Sounds so much better then the waves alternative!!!
E. Enger
great combo
versatile combo, and wet/dry works wonders for bass, drums & vocals. smooth and super handy.
V. Uhov
Lexicon 224 Reverb PlugIn
Finally I bought the real reverb!
Previously enjoyed ik Multimedia. Magic sound is obtained.
Voice is not drowned in the mix. So perfectly audible reverb.
Thank you Uaudio!
E. Smallwood
I don't know how I did'nt notice the difference!
The most amazing transformation of my mixes to date. Everything is clearer, more present and fat. It's on every mix from now on!
S. Gough
Great on Drums and Bass
If you need a compressor that really clamps down on a track, the dbx 160 is perfect. Sounds like the hardware. Almost has a distressor-like characteristic in its attack. Excellent for accentuating the power behind a smash track.
A. Faur
Smooth, saturation
Ver nice saturation, good low end bump, I use this on vocals, drums, bass, buss channels...
C. Howat
Fast And Effective
This plugin is what I've always wanted in a tape emulation. I have the Ampex that I use primarily for the wow and flutter effects. For the quick "tape" sound, Oxide is the best I've used. I demo'd the Studer, and it is very much in that same ballpark-except that since there are so few options, Oxide takes less than 10 seconds to dial in the perfect setting and then I'm moving on. It took a couple minutes at least with the Studer because of the options. This is my utility, cumulative-effect plugin that makes stuff sound better. Try it out. Buy it up.
J. Perez
Extremely Useful and Great Sounding EQ
I don't know anything about the hardware unit other than things I've read so I can't speak on the similarities between the two. I can say that this is one of the best EQs that I own now. I have been using it on all busses and the master bus as well. I love how the EQ can tighten up the bottom and open up the top end beautifully. I don't have a problem with DSP because I usually set it where I want it and print the tracks to save power. Since I've been using UAD plugins this has become part of my process and I find that committing is helpful in saving time. I own a handful of the other UAD plugs and I can honestly say that they are all excellent!! The best in my arsenal.
J. De mendonca
really improves the sound
I do really like it, i fell a warm nice sound that help´s to avoid the ugli digital caracter of the ITB mixing
N. Lifschey
Sounds great, but GUI needs modernization.
This plugin sounds incredible. But it also suffers from the same problem that almost all of their vintage plugs do: UA refuses to move into modern times with the GUI. You can't see the values of anything you're adjusting, and in recreating the exact layout of the original hardware, it's not as easy to see and navigate as it should be. For people like me who do extremely rapid work with super tight turnarounds with very precise adjustments (post production), it's a real drag. They should also go the Slate route and offer more EQ points (or continuously adjustable), etc. UA makes great sounding plugins but they are stuck in old times GUI-wise -- if they moved their GUIs to the 21st century, I would buy more. I stopped after this one.
W. Morrison
Good for all instruments and vocals!
I've been using these plugins since I bought them and have not been disappointed yet! Have used them for all rhythm section instruments and lead male and female vocals - both during recording and mixing with good results all around. Highly recommended!