UAD Producer Edition
Customer Reviews
UAD Producer Edition
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E. ARRUDA
1176 Incomparable tool
Honestly, there is no tool similar to 1176 Classic Limiter Collection. I've used everything, with all due respect, but other emulations are far from UAD.
J. Greiner
Outstanding!
This is by far the best Leslie emulation I’ve ever used.
A. Koilybayev
Amazing tape saturation
I am absolutely delighted with this plugin, I use it in every project. I use it on vocals
A. Goncharov
Instant magic!
Just adding this plugin on a track or a master buss changes the sound in a very pleasant way, makes it less harsh and thicker at the same time. I haven't yet found any source that would not benefit from using the Oxide Tape Recorder on it, from piano to synth bass. I wasn't able to recreate or achieve the same nice touch with any other tape plugin I've tried so far, so cheers UA!
Z. Abresch
Good sounding synth but has a lot going on
I don't use this much but it has some fantastic pad sounds. The interface is a bit daunting and the presets are a bit all over the place but there are good starting points. 4 oscillators gives you lots of runway for sound design too.
D. Cardamone
Amazing and Innovative
I was surprised when I saw this in my email on my Spark subscription and I tried it and it's so fun and unique and whimsical this is the sort of thing that I like and dig.
M. Alexandru-George
Best of the best compressors / leveler / limiters
Stuning performance <3
M. Alexandru-George
Very good compressors <3
I love the 1176 legacy <3
M. Alexandru-George
Very good tape/ saturator
I use it for buses
D. Gilden
Opal, What A Gem
What a treasure, this synth is deep!
S. ETH
This One Takes the Cake!
I hardly ever write product reviews. That said, here is where I make an exception.
The versatility, ease of use, beautiful tube timbre and compression characteristics all come together in a way that makes the audio signal you pass through it really pop!
For any electronic music producers out there... pass your kick and bass/sub (together) through the century tube, after you're finished processing the individual channels. Careful with gain staging, don't come in too hot. Apply very subtle 10k boost, remove small amount of boxiness/muddiness (if necessary) between 250-600 Hz, add some 110 Hz niceness, and apply 1-3 (max!) gain reduction on the compressor. This will usually squeeze another 5% out of the kick/bass/sub combo, tightening up the low end very nicely, glueing both elements, and at the same time making them really pop!
V. Ruzicic
Good saturation!!!
Comparing with other tape plugins, this one has not aggressive soul
J. Zapata
Gooddd
Muy buen plugin
K. Mahone
...it's almost...too perfect...
I have tried many virtual organs since 2009, and this is one of the best ones I've ever played. No frills, no extras...and it sounds like some of the organs I've played in churches over the years. The only gripe I have is that I either need a Spark subscription (which I currently have) or a UA interface to use it (which I don't understand seeing as it doesn't use alot of RAM, and I already have a good interface). If ya'll could make this useable without a UA interface, I would buy this IMMEDIATELY!!!!!! Or, maybe I'll just buy UA interface...but I need this organ to remain in my arsenal!!!!!
G. G
Badly needs machine activation
Was playing with my band and had no reliable internet connection at the moment. This and the some other UA softsynths could not go online to check the activation. Because of this Studio One could not function and the music was dead. To band, because this is a good plug-in when it functions.
Can you change to an activation that is more friendly to musicians and composers on the go? Would be 5/5 with a better system for activation. Please ditch the internet authorization or dongles. Just do a machine activation like Arturia, XLN, Softube etc.
I would have written this customer feedback to the support but last time I kindly asked the for the support to please forward a suggestion to the development team the UA support answered that No we do not take suggestions.
A. Reverberi
Close as it gets
al the tone and character of the hardware
E. bartlett
TIME TO LEVEL UP
TIME TO UP YOUR GAME. GET THE BEST GEAR SO YOU CAN SOON THE BEST.
NOW I SOUND JUST LIKE THE PRO'S..
A. Bandura
Massive!
I love La. This plugin and Los Angeles aswell. Great for vocals, Bass. Warm Sound. Great with Rode NT-1. Different options. Great sound. Highly Recommend.
J. Manness
The most exciting of three tape plugins (in a good way)!
Compared to Studer, this brightens and brings tracks forward in a hyped, exciting way. I did not think I needed this tape plugin, but lately I've been using over Studer for those reasons and I use the Ampex for submixes and the mix bus. Just get it!
M. O'Flynn
Waterfall B3 Organ
A good selection of presets, virtual microphone choices and their position. A convincing emulation.