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UAD Mix Edition
Customer Reviews
UAD Mix Edition
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S. Joo
revolution in a sound))
I never thought that the Plug-in can reproduce that that similar!
T. Ferguson
Buy This
If you buy one plugin in your life, buy the UAD Ampex ATR-102. If you buy two plugins in your life, buy this one as well. I've popped this on every track in all my recent mixes, and in 90% of cases, I've simply ditched all EQ and compression. The gorgeous way it warms the mix while adding detail and separation to your tracks has to be heard to be believed. In short, it improves your mix while saving you work.
Sure, it's a bit of a resource hog, but complaining about it reminds me of the Louis CK routine where everyone bitches about awesome, mind-blowing things that didn't exist five minutes ago. Get the plugin.
T. Ferraz
Rock everything
How to rock a guitar even more? Use this... I put this on guitars and it sounded amazing, on snares and it just came to face. My favorite compressor by far.
M. Zimolag
good for vocal
My first use of this plugin is the path of vocal
I'm very happy
delicate setting adds color that is difficult to describe
E. Violette
Lexicon 224
Awesome, I love it!!!!!
The tail of the reverb is incredible. I've never used a real Lexicon so I can't compare but it sounds amazing! Very warm and round... I use it in a lot of situations
S. Pheng
Lexicon® 224 Digital Reverb Plug-in
Lexicon® 224 Digital Reverb plug-in is a classic piece of recreation of hardware.
It is really worth to have for my recording studio.
C. Papastephanou
Analog feeling
There is definitely something analog here ! I simply love them all. These days, I even prefer the 1176AE to glue my whole mix instead of the SSL 4000 Stereo Buss compressor. And the silver version is awesome too. It is able to bring an analog distortion when it's pushed hard.
M. Gelsinger
TOP SOUND and a must have! one of the best plugs on the market nowadays...
L. Howard
This is my favorite reverb! Used the hardware version years ago and can't believe how accurate it is.
Highly recommended especially if you are doing any kind of blues, R&B, or roots music.
J. Kim
this is the best emulation of 1176 limiters ever released!
R. Brown
You think you know reverb.....then you use the Lexi 224.....it's professional, easy to learn and a definite for vocal tracks. Smooth and pristine, worth the investment.
S. Tamás
1176 Classic is very good plugin .... I use it for everything.
M. Rey
What can I say? I just love this plug in so much. This one is worth the price of admission alone. How else can you buy a pristine 24 track machine with no repairs or maintenance for $2000? This gets a lot of use in overdubbing when I'm trying to match the MCI tape machine I use for tracking & everything just melts together like you remember it. I really like the ability to easily change tape & calibrations, it's just unheard of in real life to do so fast & creates real tone shaping possibilities. I see on the forums posts saying "do you ever use this thing anymore?" I just don't get it. My answer is YES YES YES! I'll be using this one proudly till my days in audio are done. Thank you UA for making such invaluable tools!
M. Rey
Major upgrade to my "bread & butters". The impact on my mixes were heard immediately. I use less vibe plugs overall as I'm dialing that in with all the options I have available in the 1176 collection. The AE is a great plug for EVERYTHING, just clean gain. The Rev A is great for adding warmth & heat & the LN Rev E is just your classic 1176 that grabs like we remember them. I want for nothing now that I have the 1176 collection in my arsenal. I feel like I can do an entire mix with them alone. The UAD Fairchild still gets some love & the excellent Softube FET gets used for parallels & backing tracks, but the heavy lifting duties, I know what I'm choosing first. Be careful with that demo button, once you hear them...
A. Bonney
Superb! Pleasingly 'un digital' sounding distortion if you push them, and the 2:1 ratio on the AE is really useful for a softer vibe. A genuine upgrade from my much loved original UA version. Be careful with that demo button!
A. Shimon
Simply amazing.
This reverb sounds great on anything, regardless of material or settings.
I love everything about it.
It's "the one"...... now that I have it.... I can't imagine living without it.
M. Ideses
At first it may seem that the 1176 collection is a set of small variations of the traditional 1176. But it is much more than that!
The 1176 Rev A compressor (silver face with the blue stripe) is a completely different version of the classic with an amazing presence of mid-high frequencies and harmonics. He makes his drum set to sound lively and colorful. I was completely in love with Rev A. Test it in their overs and room mics and you'll understand what I'm saying.
1176 The Rev D version is a smooth, excellent for low and mid-low frequencies.
The AE 1176 is very versatile and works well with almost anything. The AE replaced my traditional 1176.
RecAndMix
H. Haskell
I never had the pleasure of using one of the original units, so I can't give a good comparison. Having said that, this plugin makes the audio you push through it sound really nice. Nothing you do with it sounds bad - just different flavors of great. Highly recommended!
B. Tyson
My name is Bryan Tyson. I have been a dedicated user of UA plugins for several years now. In that time I have helped make 7 Gold and 2 Platinum records. These plugins are the best I have ever heard. I just updated to the new 1176 rev and I must say it is the most magical plug in I own because it sounds so much like hardware. The sound level has been raised at www.deep-productions.com due to UAD. I'd never choose anything else to mix with. The new 1176 is a landmark in VST technology.
R. Snyder
Purchased this plug-in for a project that had to sound like it was recorded in 1965. Turned up the hiss and squashed the tracks unmercifully and really pleased the client. Thought I might use it again from time to time. But, used with more subtlety it's fantastic to marry tracks recorded at different times or in different studios/locations. Use it as much or as little as needed to get the real tape sound without the hassles of real tape or a real tape machine.