UAD Mix Edition
Customer Reviews
UAD Mix Edition
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C. Brown
More Reverb Please
Just like cowbell, you can never have enough reverb and this one is absolutely worth adding to your tool kit.
B. Highet
Love this
Blown away, love the different vocal presets
A. Zelghi
Magneto
Loud sound
A. Zegers
I love it!
it's great ! The best rotary speaker plug-in I've tried!
E. Starzhynskiy
Studer® A800 Tape Recorder
Warm sound. Professionally, without unnecessary questions!
J. Neves
Great Plugin BUT...
Native only?! Seriously?! First they release the Capitol Mastering Compressor, which is an AWESOME plugin btw but, when asked why no DSP version came out, they told us is because most people would be using it for mastering applications and blah blah blah....I wonder what they will say about this one now? C'mon guys show us some UAD love, please! Being able to load it up in Console etc. is the ONE thing that sets you apart, don't let it die out so easily!
m. athanasiadis
Classic sound
Lexicon 224 has been one of my fav reverbs
K. L
Use it for subtle coloring
I use it an all mono sources (not busses) just to get that "feeling/sound". It works and adds some really magic bottom end! (i tested it with flipped phase bounces and it works really nice)
K. L
Another classic
A super versatile compressor, very colorful and works on everything! A must.
K. L
A classic
Super compressor, on almost any source material. Subtle and very nice after an 1176 on vocals.
K. L
On my mixbuss and on my drum buss
Super versatile compressor. Using it on my busses and it delivers at 100%
K. L
Warmth
Using it on every track, it gives the mix a total warmth I love!
A. Machado
Best 1176 plugin on the market!
These emulations are incredibly good and versatile! My most used compressors by far!
R. Khan
Another UPLIFT, MOJO enhancer
I already owned one of the other tape plug-ins, but this one has more options, especially in changing the tape types. It takes up the same amount of processing power, so no advantage there, but still. You don't need all the tape plug-ins, you can go with this one if you want a few more options, but the other, slightly cheaper one, could also work.
Whether I put it on some instruments/tracks, or on the master track, it does what it's supposed to, which is give me more options to fuse the sound of the whole thing and uplift the tune and its mojo just that bit more...
L. White
Fantastic EQ.
Having different flavors of EQ is really important to me. This being my first experience with API, I was trilled with the unique sound of this emulation. And the fact that it's native means that I can actually use it. Highly recommend.
J. McCool
The smile maker
Set the Pultec to a smiley face curve and it will put a smile on your face. Takes a minute to understand, but once you get it, you’ll reach for it often.
L. Marchetti
Omg
L. Marchetti
Tape
Tape magic you get!
F. Antonio
Really good plate sound!!!
THE plate sound. I would love to see this guy with a little bit more control.
J. R
Good, but could be great
Right off the bat, you can only record on this using the opened back of the Leslie. This is fine for rock, I guess. But Don Leslie invented this cabinet to be heard from the front, through the louvres that he intentionally carved into the wood. Not offering this very BASIC option is tantamount to malpractice. Recording through the open back gives you a very phasey, thwocky, open-wood-hole sound that is not what you want for jazz, gospel and blues- which -guess what?- the Hammond organ tends to do a lot of. It almost seems like no real Hammond Organ players were consulted on this plugin at all, but "rockers" who want to run their guitars through a swirly effect got tons of say.
Gain staging can be a nightmare too. It seems to be best when you give it a very faint signal input. The output meter is utterly useless. It indicates nothing. At all. Ignore it.
All that said, it does sound remarkably like my real, vintage 122 when I remove the back panels, and that's exactly why i don't remove the back panels. Ever.
This could easily be a 5 star plugin if UA simply gave you the basic option of hearing the speaker the way it's inventor intended for it to be heard. (And don't give me any flack about being able to record through the louvres on the sides...that is NOT the same thing.) This is like meticulously emulating every aspect of a Fender Bassman amp, but only letting you mic it from above. It is a needless, staggering, unforced error.
I'm not withholding stars due to the fact that it's only native, since they tell you that upfront. But for Pete's sake, the Leslie is an incredibly important part of the hammond sound that shapes and changes your performance as an organ player. You are constantly relying on the sound of your leslie when performing. Pushing it harder or backing off based on how the Leslie responds. Since I cannot use this plugin in a unison slot, I am forced to GUESS how much to gain it as I perform, then apply the Leslie after the fact to see whether I GUESSED correctly. Far from ideal.
This is a decent plugin that could so, so ,so easily be an -invaluable- plugin. I hope UA listens.