UAD Mix Edition
Customer Reviews
UAD Mix Edition
Only registered users can write reviews. Please, log in or create an account.
S. Gough
Long, Rich Tails
Great for the long decay reverb applications. Feels like the original unit. Versatile controls. Used it on vocals and drums so far. Great results so far.
S. Gough
Adds the Tape Flavor Well
Gives character to a sterile-sounding mix. Used it in a mastering situation to add a little bit of that tape saturation/natural compression. Tracking to it gives your tracks that gushy-tapey feel. Very tweakable.
S. Gough
Excellent on Drum Buss
Has a really nice spank to it. Makes drums pop. Does something similar to the Zener Limiter. Very versatile
S. Gough
Snappy Drums
Great preamp for capturing quick transients. EQ is clean and useful. My favorite use is on drum tracks. Overheads and rooms specifically.
.
What a Reverb!
This is a true Enrichment in my Setup. Snare and Vocals are kissed by the Possibilities of this Plugin. It's Massive.
m. hardy
King of rap vocals
So much body to this pre. Even with cheap mica
E. Wilmot
Chunky
I love this thing. Big and thick and warm. More beef than jerky!
.
Galaxy out of this world
This is a plug in that works on so many different tracks. Vocals, guitar, effects... Just great... easy to use and control !
W. Plummer
By far the best digital version of the API 2500
I have been a close friend of Paul Wolff since working at The Bayou in Georgetown D.C. in 1978 where he was the house engineer. I became the second FOH guy shortly thereafter.
He built custom devices in the FOH console including the Flanger/Doubler that Softube is doing a digital version of these days (UA..please add this to your product list soon.)
I bought a prototype 2500 from Paul right after he made one for a few old friends of his. It was a magic box for me. I stopped using the SSL Buss Comp on the 8000GB console I worked on daily once I bought my 2500.
The 2500 prototypes (maybe 12 were made) and the following production versions are wonderful pieces of hardware. I never found a digital version that came close until the UA version. If UA were to ask Paul about the changes between the proto and the production versions, it would be a great update to add onto the 2500. If not, the existing 2500 is a steal just as it is.
L. Kenward
Workhorse
Just about every software company has made a version of this unit for the last 15+ years. Having recently discovered UAD the LA2 was one of the first things I tried and it's a proof of concept, this sounds as good as any compressor you can find.
D. Kim
MUST HAVE Item!!
Although I am a kind of novice for music, I can feel the improvement of the sound. This helps me a lot in mixing. You have to try!!
L. Swiercz
Easy to use and instant warm sound
this one of the best tape saturation i ever use, not only it sounds great its very easy to use and its low dsp, low latency plugin, i will recommend it to everyone who wants to get that nice warm sound
T. Stoddart
Great Substitute For Tracking With Chorus Pedals
I find this is a a great substitute for tracking guitar with chorus (which I find tends to sound small and confined when recorded through a pedal into a mic'd amp). It does everything from wet 80s chorus to 90s Nirvana-esque grunge chorus, although I wish the vibrato and chorus could be used simultaneously instead of as an either-or thing. Overall, a good plugin and it should take care of most if not all of your guitar chorus needs
P. Perfetto
Huge sounding
These are a great set of tools for getting analog warmth and color to your parts of your song. The silver is my favorite, with the modern tone and clarity. Its worth it, I use these in every session for mixing. I highly recommend getting this collection.
T. Ajiteru
Excellent plugin!
Having used the Waves version for some time I took the plunge and went UAD's version or should I say update, as UAD's API 2500 is definitely the Rolls Royce of the two. Exceptional buss compression that can also be used on tracks and also comes with some great presets.
.
try it on the final mix bus
few words needed: simple & powerful
J. Johnson II
CLASSIC BEAST!
I use the LA-2A on any and everything. Especially vocals! Love it. Don't do any audio without it. BUY IT!
J. Wander
A must have.
These are insane. An amazing versatile collection of 1176 emulations!
S. McKenna
Love it!
My go to Channel Strip!
C. Clouser
One of my new favorite reverbs
Deceptively simple to use, but a really rich sound, with plenty of shine if you want it. I tend to use plates for pretty long and thinned-out reverbs, and this is one of the best at this. Great on high percussion. Very nice!