UAD Mix Edition
Customer Reviews
UAD Mix Edition
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M. Filian
Love this plug... very close to the hardware
I've used API gear for many years. I wouldn't say this does exactly what the hardware does, but its about 90% there. That's close enough for me, especially considering the price and that I can use more than one at a time!
R. Cote
You need oxygen for your master bus, well... here it is!
You need at least one Tape Recorder software in your arsenal. If you can get this one, get it!
.
Warmth and character
When i first pulled up the Oxide tape on a vocaltrack i was blown away by its character and heartwarming touch to vocals. I also use it alot on synths and horns. It has become a secret weapon for me when instruments or vocals need a little "hugh" from the magnetic tape domain. A pretty handy little thing.
.
1176!
実機はもっていませんが、現代的な音楽にも対応できる非常に良いプラグインです
A. Nurmisto
Great plugin!
Gives the analog warmth to your tracks. Must have in your studio!
c. morrison
Vibe
Great vibey EQ. Adds smoothness or grit. Punchy. Just sounds great, dunno what else to say.
E. Spence
Great EQ!
You have provided me with product I could not afford.. I now can have a world class sound with having world’s riches!!
A. Lizama
Just love it.
This is a significant upgrade in audio quality from the legacy version that comes bundled with UA gear.
A. Lizama
Just love it.
This is a significant upgrade in audio quality from the legacy version that comes bundled with UA gear.
A. Haynes
Great Work UA
I have had the 1176 classic limiter collection for a couple of weeks now. I could not be more impressed with how these units react. I appreciate that you can do different combinations of ratios. Each one has a distinct thing that it does. Put on one of these in 12:1 ratio followed by an LA-2A silver in comp mode on your vocal and you'll never go back. This is way ahead of any other 1176 plugin I've tried. Great job UA! Keep up the good work.
A. Haynes
Nice Work UA
I have had the 1176 classic limiter collection for a couple of weeks now. I could not be more impressed with how these units react. I appreciate that you can do different combinations of ratios. Each one has a distinct thing that it does. Put on one of these in 12:1 ratio followed by an LA-2A silver in comp mode on your vocal and you'll never go back. This is way ahead of any other 1176 plugin I've tried. Great job UA! Keep up the good work.
A. Haynes
Great sound/non-native language
Sounds great but, controls are a little awkward. Controls are not setup like other tape echo plugins so, it took a little work to understand.
T. Poole
nice
As one who primarily mixes jazz, the UAD API 2500 usually serves as my subtle drum buss compressor. I set it to knock down 1-2 dB, only on peaks, and only if the drummer is really playing a lot louder than the rest of ensemble during a passage. I find this comes up on big band recordings where the drummer is on brushes for a soft passage and then switches to sticks for a loud shout section. I like the Manley Vari Mu for this as well but, to me, the API 2500 gives a bit more "glue" than the Vari Mu. If I want total transparency, I use the the Vari Mu on the drum buss. I tried the UAD G buss compressor once but found it too "gluey" for me.
S. Cohen
Every Mix
There is no mix that I do not use this plug in. A+
B. VanWagoner
The real thing, not a cheap imitation
These are amazing compressors. I own all the waves and slate 1176 emulation compressors... and many more... and I by far like the UAD 1176 compressors the most. Hands down.
A. Cook
This compressor is the TRUTH!
What can I said that's not already ascribed to this comp? It's a tone box, glue for your mix/any bus you stick it on, and a cure for taming multiple guitar tracks with ranging dynamics. Just get the right tone dialed in, set the threshold so the meters are jusssst barely moving, and you've got magic. (To my ears, it's better than the competitor's alternative) 10/10
B. Lewis
Great product
Love this plugin!
E. Enger
smooth
just sooooo smooth. sounds great.
S. Oppedisano
Secret weapon
I didn't have the luxury of working with the original hardware, so I'm going to go purely on how this 'feels' and 'sounds' to me... this thing brings out many of the wonderful textures of tracks that might be hidden in the digital depths. I tend to not hit it too hard in most cases, just adding a little bit of sweeting. But as many will attest to, this thing is a cumulative effect across all the tracks. Especially going into the Ampex.
W. Gaboury
Headroom for everything
The API Vision Emulation is just my favorite of all. The compressor can be as transparent as you want it or with the feedback mode you can just smash any transient you want. The EQ is just pure tonal coloration, I love it! I use it most of the time on drums.