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Customer Reviews
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p. albert
Teletronix LA - 2A
Plug-ins de haute qualité utilisation très satisfaisante
V. Vashishtha
Crazy sounding! WOW
these are wonderful sounding compressor collection, its really amazing how much compression you can get out of these and still being transparent sounding...
V. Vashishtha
Sounds really awesome!!! Love It
I Love the Pultec Passive eq collection...really great sounding as u would expect from UAD...
J. Nascimento
Como falamos no Brasil, " Dispensa apresentações"
Falar de um hardware deste calibre é super empolgante, poder ter e usar um módulo que represente fielmente o circuito físico, rsrs é de outro mundo. Como eu estou me sentindo ?muito feliz, é o que posso dizer.
J. Nascimento
Emocionante!
Nossa!
Que coisa linda. Ouvir qualquer sinal passando pelo circuito deste poderoso módulo, é mágico. Sem palavras. Obrigado!
M. Wollenberg
Pultec Passive EQ Collection = AMAZING
My favorite EQ plugin and it sounds great on everythingt. It has been my go to EQ for months!
R. Whiteman
Smooth
The best LA-2As around. Excellent collection. Sounds as good as the real thing... and far more convenient to pull up and whack on a track. Love it!
J. Poole
Add weight
Say this with a Russian accent,"It is very powerful..."
R. Brown
Love it!
The LA 2A is my go to compressor for a lot of things. I liked the way the legacy version behaved, but he did not have the sound of the circuitry like the newer one. That makes a lot of difference. If you haven’t tried the newer version, you should try it. there is a difference, and it’s a nice difference. You can even put it into an insert, and not use it as a compressor, and just have it for its tonal personality and it is pretty cool. Love it, love it, love it.
S. BIHL
AWESOME !
Really excellent plugin in all situations, the real thing !!!
.
My favourite
Best plugin for vocal !!!
c. dean
LA-2A
Gives me the warmth and clarity of being born
.
Add that Magic Dust!
Up until the point of trialling the Pultec Collection, I had always preferred using Graphical EQs so I could see what was going on. The big mistake, of course, in using these type of EQs is the tendency to rely too much on what you see rather than what you hear. Being all knobs and switches, the Pultec took me back to using my ears and, boy oh boy! As good as the EQs were that I was using, I instantly knew I couldn't achieve the kind of results from them that I was getting from this collection. Absolutely delicious on Acoustic Guitar and Bass especially when combined with the 1176 Classic Limiter Collection.
C. Parker
That sound you’ve been looking for
Ever felt like your recorded vocals were missing something? Well that ‘something’ is the Teletronix LA-2A.
Being a diy musician is tough but with having the LA-2A, you can relieve some of the stresses that are often found during the mixing process. It provides a smooth and warm characteristic to the vocals giving you that ‘Radio Ready’ sound that
you’ve been looking for.
D. Formula
Welcome to classic compression/limiting
Remarkably faithful recreation of these beautiful and characteristic units.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to pro!
This plugin is a no-brainer. The legacy version has pretty much become my go-to EQ since I started on the UAD platform. Super musical and creative but at the same time easy to work with. I recently upgraded to the pro version, and the difference is really substantial. It really sounds great on anything. If I want the EQ to give less 'color' to the source, I sometimes still use the Legacy-version (or a different EQ). But usually the pro version is an improvement to what-ever is fed into it. The added output-gain is super useful for gain-staging between the plugins and the addition low/high cut-off filter plugin is also really helpful, and I end up using it surprisingly often.
H. Holzheu
SUPER DING
Er bringt das, was versprochen wird. Genial.
C. Gomez
Simply amazing
Once you get to know these gear, You will really change the sound of your mixes. Excellent UA. You are making my life easier.