UAD Analog Classics Pro Bundle
Customer Reviews
Analog Classics Pro Bundle
Only registered users can write reviews. Please, log in or create an account.
y. lee
Sound is very good
Low pumping i like that
N. Wearne
Bloody terrific!
This is a great plugin collection and I'm finding it very hard to go past the original LA-2a. Particularly for vocals and acoustic instruments. I'm also finding that I'm not using EQ as much or at all. Just tweaking the emphasis seems to do the trick at times. Well worth it...
D. Lee
such an amazing plug-in!
so far so great! It gives more sweetness to the sound.
D. Louisin
An essential classic !!!!
I use it on almost everything when the need arises !!!
I use it on my master bus in my template totally oriented abbey road !!!
A wonder !!!
well done the team !!!
Donat.L ( for produce in the box.fr )
b. koh
1176 Classic Limiter Collection
I (A/B) compared this to other 1176 series made by other brands, I have to say that the UAD's out beat all of them!!! From today onward, I'm just gonna use it instead whenever i need a "1176" sound. That's it!
J. Lipton
Only one problem
This thing sounds great and is so easy to use. Only problem is avoiding the temptation to use it on everything.
When they say there are some things you can only really get from UAD, this is what they mean.
K. Ramsey
Great Emulation!
One of the best 1176 collections available.
J. Jr.
Um excelente EQ clássico
Ótimo som e muito fácil de usar!
M. Lopez
Smooth and Silky
I love this clean and also when I over saturate it.
c. glakas
A must-have for any UAD user
The brilliance of all UAD plugins is that the second you instantiate them and turn them on, your track sounds better. 1176 is no exception, and the legacy versions are DSP light so you can have them on every track in the mix.
c. glakas
LA-2A makes the difference
If you're just making the jump to UAD, be sure to get the LA-2A collection right from the start. Just turn it on and find your in and out levels, and your track will instantly be better. The legacy versions are DSP-light so you can load 'em up on every track in the mix.
P. Ponting
Can't live without.
I know tons of people have said this but I will say it also UAD really have done the job, seriously every plugin I get I have a huge grin as soon as I use them. I always see people saying you can achieve all this stuff with stock plugins well I'd love to hear that. Because you really can't. And if someone does achieve that I bet it doesn't take you 30 seconds to achieve that sound like it does with the 1176. I've said it with near every review. Get it. Don't sleep on it. Just get it.
S. Shin
LA-2A is the best comp!
It is so nice!! Especially, Gray is so good!
P. Rackley
Killer Classic and new flavors of Grey
These classic plugins are here to stay and you need it if you’re doing vocal and bass!! That’s just the beginning. I don’t know why I waited so long to upgrade!!
D. Priestland
Just what my vocal chain needed
Loving the 1176 collection. My vocal have never sounded better. No going back once you've tasted UAD plugins
A. Hayman
Night and day from the legacy version
Massive improvement from the legacy version which I thought was already the best LA2A emulation around.
J. Loosemore
Sounds like an optical compressor should!!
All three of these have become my go-to compressors. The grey is especially good for my desired applications!!!
S. Heidemann
Fantastic!
As expected and better. Only wish the graphics/UI would be high-res and as beautiful as some of the other ones which are already retina-res.
F. Ramirez Rios
A MOST in every production!!
The level and compression on the voice has a magical effect in my final mixes, i'm very happy with this plugin, you must have this on your UAD plugin library.
P. Hoier
The Special One
Fairchild is a special compressor. It kind of have more of everything. More color, more presence; more sound. In cases of what I call "dead source material", typically due to bad digital recordings and/or the sound of early softsynths with obvious weak algorithms, the Fairchild can bring such things to life. Thicken things up, but at the same time it can knock dynamic inconsistencies, as well as inappropriate resonant frequency responses, into place, in just the right way. In other words, this is not an invisible compressor. There's lots of color. Still it's got depth and transparency. But where the LA-2A is more sweet, the Fairchild is more agressive. Especially in the mid-range. And even more the 660. But all in a good and warm way. We're talking the old-school rock'n roll vibe. :)
As I've never tried the original hardware, I can only compare to the competition of other software models. Still I feel enough like a nerd on the Fairchild subject (as I almost have all of the other emu's, and I certainly sense a thin red line between all of them) to conclude the above; the very fairchild sound! I was therefore very excited to try out the UAD models. (I'm fairly new to the UAD game. (What took me so long? :))
Needless to say the UAD Fairchild package, beats the competition on fairly all the above parameters. And where the competition lacks, the UAD kicks in.
If one thing comes to mind, I was quite suprised that the UAD models seem slower in the Time Constants? Not that it sounds that much slower. Maybe just a bit? Maybe it's the metering that differs? Well, if the modelling of the tube technology is done right, such possible real world fluctuations should transfer right over. And as we're talking tubes, they oughta be slower than FET's anyway. So this makes me even more convinced this is the most precise modelling of real world. And it's prefectly convincing on real music. ;-)