UAD Analog Classics Pro Bundle
Customer Reviews
Analog Classics Pro Bundle
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A. Knight
LA-2A Classic
The Teletronix collection works great on vocals for sure. Very easy to compress with a nice sound. The pre sets are great. Just tweak and you are ready to go. You dont have to take so long changing the settings ..............
ak
J. Kieffer
Upgrade from the Legacy and you'll immediately hear the difference!
Compared the updated Pultec collection with the legacy and it's like night and day! I did a shootout with proper gain staging vs T-Racks, Waves, and Softube. I dumped the T-Racks and Softube versions! Highly recommend using this on piano and drums.
J. Kieffer
3's a charm!
Each one of these LA-2A's has it's own distinct characteristic to it. It's a matter of preference as to which will work best in the application used but if you're trying to find it look no further. The cleanest LA-2A's anywhere. Trust me, I've looked and tried them all!
D. Syverud
LA-2A Magic
I used the original version of this plug-in as a go to on vocals and snare drum, especially when using brushes. This new collection has upped the mojo considerably and just makes me smile every time I use it. High five to UA for yet another steller plug-in. I've been demoing the new 1176 plugins too and am equally as floored. I'll be purchasing that for sure as well.
F. Jordan
Fairchild Tube Collection
I have a production studio. Purchased this plug-in a month ago and I am well pleased with it. Easy to use and it makes a big difference in the quality of my work. Thanks again UA...
S. Leiweke
Could this be better than the real thing?
It might be.
I have been lucky enough to use a Fairchild. A friend brought one to my studio one day after having his serviced so I could help make sure it was functioning correctly. After having it here for weeks, I didn't think I could live without. When it left, I was sad.
UA's new Fairchild Collection has brought the smile back to my face that the real hardware originally created. Not only does it sound and function like the hardware, it's even more flexible and tweak-able. Being able to change the headroom and wet/dry mix of the effect was something I could have only dreamed of before.
Plus I'll never have to be with out it when it breaks down and needs to visit the tech for TLC.
Well done UA.
S. Berujanyan
Great Update
I just love this compressor.The new models go above anything to date, Thank you UA! Amazing plug-in.
S. Arribas
superb!
it simply is just like the real thing, makes you want to get another DSP card so you can run more of them, love it...!
H. Krogh
Great to see Fairchild Revisited
What can I say, it has always been brilliant and now it's better.
C. Shapiro
Best sound ever
The most amazing plug-in I have ever heard. I upgraded from v1 and v2 is better.
J. Milldrum
Best plugin emulation of the 1176 to my ears!
These are definitely the best plugin emulation of the 1176 to my ears. I love the texture and color they add to a track.
G. Ojeda
Nice, me gustaron
Muy bonito suenan, nice i like so much...
Me guasaron mucho los plug, lastima que no los compre en la promoción de 99 dolares, los compre en la promoción 150 dolares. Gracias
J. Lutin
Teletronix® LA-2A Classic Leveler Collection
Juste manifique
merveilleux
on aurait même tendance a dire que nous possédons un hardware à la maison sauf a prix mini lol
Mille Merci UNIVERSAL AUDIO
G. Piazza
Wow! 'Real' and surprisingly flexible
You've come a long way baby!
Yes, the original Fairchild had decent curves, but I always knew it lacked the transformer & tube modeling (how can that many tubes and transformers be modeled without taking a DSP chip out?).
Now, with the extra power available, UA has gone back and captured the 'grit, warts and all' of this behemoth. As others pointed out, the 660 is a different beast than the 670; more aggressive and grimy. Another reason not to complain if you think you are being ripped off by a re-modeled plug-in.
On every survey I've done for UA, I always pick the option of updated pug-ins and wet/dry control. UA has answered both of these in one go, with outstanding results for this one. Sounds 'real' & surprisingly flexible.
J. Weil
Wow! Very useful and impressive
I've owned the previous Fairchild emulation ever since the UAD-1 days and honestly, I rarely used it. Upon seeing the re-issue, I wondered if the improvement would be as huge as the 1176 and LA-2A Collections (which see use every mix). In short- it is!
I started with a large-format rock mix. I tried it on the lead vocals, which had light tracking compression provided by an 1176. I tried an LA-2A first, but it wasn't responding in the way I liked. Then I tried the 660 and it was spot-on. The way this thing grabs is almost unreal. When pushed hard, it does lose some life, but that is what compression does! After dialing it back a bit, I had my lead vocal DONE. Simple! I also tried it on bass (buss) at my next mix session and it kills....
L. Martin
Loving them both
The 660 and the 670 both sound "creamy" to my ears, and the included presets are very interesting, informative, and great starting places for my uses. So far, I've used them on lead vocals and bass guitar, but I'm sure there will be more over time.
M. Hensley
Fantastic for post on Dialog
Just picked up this collection.
Added the 660 my dialog chain. Loaded up the "Chesty vocals" preset and tweaked it a bit. And it does something very nice to the dialog. Smoothing of the edge and adding a nice warmth and depth to production dialog tracks.
I have a. Show with particularly midrange, bitey dialog. And this weeks mix sounded much much more pleasing.
Well worth the money.
J. Cummins
Yummy Fairchild Tube Limiter Collection
Well, once again they work great. They seem more responsive than the first Fairchild you offered which I love also. Again, better is better. Sweet and yummy, they get the job done right!
U. Borjesson
A classic with color.
The Mid/Side function of the Fairchild 670 is what i have grabbed it for since years, the one now called Legacy...
BUT now, the new 2 beasts with mix control for parallel compression, and the filter which gives me all the bass left in there but nice smooth and if I want, heavy compression in the upper range.
In ordinary Stereo mastering the 660 is the main happiness, and in M/S for vinyl for example the 670 is number one.
Once you have tried it and filtered stuff you can not understand how you could work before these plugs arrived.
Read the manual about all the controls for a new world of compression!!
Fantastic!
G. Clasen
Dig this one
Can find the sweet spot fast! love the blend & side-chain options!